Volumes of Poetry
- Hartskrif (1985) ("Heart Script")
- Bitterlemoene (1986) ("Bitter Oranges")
- Die Anatomie van Melancholie (1987) ("The anatomy of melancholy")
- Palinodes (1987)
- Geslote Baan (1988) ("Closed Circuit/Track")
- Donker Labirint (1989) ("Dark Labyrinth")
- Gesteelde Appels (1989) ("Stolen Apples")
- Kriptonemie (1989) ("Cryptonomy")
- Verdraaide Raaisels (1990) ("Twisted Riddles")
- Die Somber Muse (1990) ("The Sombre Muse")
- Tachycardia (1990)
- Die Verlore Simbool (1991) ("The Lost Symbol")
- Interne Verhuising (1995) ("Internal house moving")
- Ewebeeld (1997) ("Mirror Image")
- Lykdigte (2000) ("Memorial Poems")
- Ruggespraak (2002) ("Back Speech")
- Die Buigsaamheid van Verdriet (2004) ("The flexibility of sorrow")
- En skielik is dit aand (2005) ("And suddenly it's evening")
- Dad (2006)
- Koesnaatjies vir die proe (2008)
- Vuurwiel (2009) ("Wheel of fire")
Read more about this topic: Joan Hambidge
Famous quotes containing the words volumes of, volumes and/or poetry:
“The great British Library—an immense collection of volumes of all ages and languages, many of which are now forgotten, and most of which are seldom read: one of these sequestered pools of obsolete literature to which modern authors repair, and draw buckets full of classic lore, or “pure English, undefiled” wherewith to swell their own scanty rills of thought.”
—Washington Irving (1783–1859)
“The great British Library—an immense collection of volumes of all ages and languages, many of which are now forgotten, and most of which are seldom read: one of these sequestered pools of obsolete literature to which modern authors repair, and draw buckets full of classic lore, or “pure English, undefiled” wherewith to swell their own scanty rills of thought.”
—Washington Irving (1783–1859)
“The base of all artistic genius is the power of conceiving humanity in a new, striking, rejoicing way, of putting a happy world of its own creation in place of the meaner world of common days, of generating around itself an atmosphere with a novel power of refraction, selecting, transforming, recombining the images it transmits, according to the choice of the imaginative intellect. In exercising this power, painting and poetry have a choice of subject almost unlimited.”
—Walter Pater (1839–1894)