Jim Raynor - Reception

Reception

The character of Raynor was generally well received by critics and fans alike. Gaming's Edge described Raynor as an "almost prototypical action movie figure" with a "healthy dose of arrogance" who despite always attempting to do the morally right thing invariably ends up with "the worst end of the deal" due to circumstances beyond his control. The article also puts forward the case that "it would be difficult not to admire Raynor, if for no other reason than his persistence" in the face of abandonment, isolation and betrayal. In the review of StarCraft for the magazine GamePro, the reviewer stated that he felt that the portrayal of characters was so good that he felt they "were actually talking to me" and expressed that he began to feel an emotional attachment to the plights of Raynor, commenting "When was the last time you could say that about a character in a strategy game?" A reader's poll for GameSpot voted Raynor one of video gaming's top ten heroes, complimenting Raynor's character on his humanity, his resilience in the face of consistent loss, as well as his progression from backwater marshal to galactic hero. GameSpot also gave additional praise to the quality of Robert Clotworthy's voice acting. In 2012, GamesRadar ranked him as the 80th "most memorable, influential, and badass" protagonist in games, commenting: "He embodies the concept of the greater good and is willing to put it all on the line to protect others. If you’re ever stuck in a sticky situation, whether it’s against a swarm of Zerg or a Protoss fleet, he’s the man you want to be fighting side by side with."

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Famous quotes containing the word reception:

    I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.”
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    To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.
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    Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.
    Jonathan Swift (1667–1745)