Jim Harrison - Literary Works

Literary Works

Though famous for fiction, Harrison considers himself first and foremost a poet. In the Introduction to The Shape of the Journey (Copper Canyon Press, 1998), a collection drawn from his first eight books of poetry, he writes: "This book is the portion of my life that means the most to me....in poetry our motives are utterly similar to those who made cave paintings or petroglyphs, so that studying your own work of the past is to ruminate over artifacts, each one a signal, a remnant of a knot of perceptions that brings back to life who and what you were at that time, the past texture of what has to be termed as your ‘soul life.’" Poetry suffuses everything Harrison writes. "It’s totally uncontrollable," he says. "You don’t have any idea when its going to emerge, and when it’s not going to emerge. I’ve never stopped writing it....You can put off a novel for a while but you can’t not write a poem because that particular muse is not very cooperative." Harrison’s poetry has drawn from predecessors as diverse as the Russian modernist Sergei Yesenin (Letters to Yesenin, 1973), Zen literary traditions (After Ikkyu and Other Poems, 1996), and the American-English traditions of nature-writing (Saving Daylight, 2006) leading back through Wordsworth. His most recent collection of poetry is In Search of Small Gods (Copper Canyon Press, 2009). In it he writes of the natural world: many of his small gods are dogs, fish and birds, and he looks at them with awe and ironic amusement. Harrison discusses his poetry in an extensive interview in Five Points Magazine.

Harrison became a novelist after he fell off a cliff while bird hunting. During the ensuing recovery, his friend Thomas McGuane suggested he write a novel. Wolf: A False Memoir (1971) was the result. It is the story of a man who tells his life story while searching for signs of a wolf in the northern Michigan wilderness. This was followed by A Good Day to Die (1973), an ecotage novel and statement about the decline of American ecological systems, and Farmer (1976), a Lolita-like account of a country school teacher and farmer coming to grips with middle age, his mother’s dying, and complications of human sexuality.

Harrison’s first novellas were published in 1979 under the title Legends of the Fall. The title novella is an epic story that spans fifty years and tells the tale of a father and three sons in the vast spaces of the northern Rocky Mountains around the time of World War I. Film rights for all three stories in the book were sold, and Harrison gradually became a screenwriter. The film based on Legends of the Fall was directed by Edward Zwick and stars Brad Pitt, Anthony Hopkins, and Aidan Quinn; it won an Academy Award for cinematography. Jim Harrison has a writing credit for the film. Other films he has scripted or co-written include Cold Feet (1989), with Keith Carradine, Tom Waits and Rip Torn; Revenge (1990), starring Kevin Costner; and Wolf (1994), starring Jack Nicholson. All the while he has continued to publish fiction and poetry. Four more collections of novellas (The Woman Lit by Fireflies (1990), Julip (1994), The Beast God Forgot to Invent (2000) and The Summer He Didn’t Die (2005)) followed.

After publishing Warlock (1981) and Sundog (1984), Harrison published what is perhaps his most famous novel, Dalva (1988). It is a complex tale, set in rural Nebraska, of a woman’s search for the son she had given up for adoption and for the boy’s father, who also happened to be her half-brother. Throughout the narrative, Dalva invokes the memory of her pioneer great-grandfather John Wesley Northridge, an Andersonville survivor and naturalist whose diaries vividly tell of the destruction of the Plains Indian way of life. Many of these characters once again appear in The Road Home (1998), a complex work using five narrators, including Dalva, her 30-year-old son Nelse, and her grandfather John Wesley Northridge II. Harrison has been described as trying to get at "the soul history of where you live" " in this sequel to Dalva, in this case rural Nebraska in the latter half of the 20th century.

Harrison’s next two novels are set in Michigan’s Upper Peninsula. True North (2004) examines the paralyzing cost to a timber and mining family torn apart by alcoholism and the moral recklessness of a war-damaged father. The novel contains two stories: that of the monstrous father and that of the son’s trying to atone for his father’s evil and, ultimately, reconciling with his family’s history. Returning to Earth (2007) revisits the setting and characters of True North (2004) thirty years later. The story has four narrators: Donald, a mixed-blood Indian, now middle-aged and dying of Lou Gehrig’s disease; Donald’s wife, Cynthia, whom he rescued as a teen from the ruins of her family; Cynthia’s brother David (the central character of True North); and her nephew and Donald’s soul mate K. Ultimately, the extended family helps Donald end his life at the place of his choosing, and then draw on the powers of love and commitment to reconcile loss and heal wounds borne for generations. Harrison’s 2008 novel The English Major is a road novel about a 60-year-old former high school English teacher and farmer from Michigan who, after a divorce and the sale of his farm, heads westward on a mind-clearing road trip. Along the way he falls into an affair with a former student, reconnects with his big-shot son in San Francisco, confers on questions of life and lust with an old doctor friend, and undertakes a project to rename all the states and their state birds.

In 2009, University of Nebraska Press published Jim Harrison: A Comprehensive Bibliography, 1964-2008, an illustrated guide to Harrison’s published works, edited by Gregg Orr and Beef Torrey, which contains more than 1600 citations of writing by and about Harrison. Many of Harrison’s papers are housed at Grand Valley State University in Grand Rapids, Michigan.