Jim Gillette - Biography

Biography

Jim Gillette (no relation to the razor blade) began singing as a teen, having been exposed to Metal through a local skating rink. His goal was to have a higher range than Rob Halford. He went through extensive opera training and developed his own method. Jim Gillette first started his career in Phoenix, Arizona with a band called Slut. He sang on their demo tape entitled "Perversion for a Price". Jim heard about a band called Tuff that needed a singer, so he immediately auditioned and then joined the band. Tuff released two demos, "Knock Yourself Out", and "J'lamour Demo".

Jim left Tuff to go to Hollywood. At a beach party, he met guitar viruoso Michael Angelo Batio and then formed the band Nitro. Jim and Michael recorded Proud To Be Loud in 1987. Nitro's first live show led to their record deal with Rhino Records.

In 2001, Jim formed Organ Donor with Chris Campise, James Johnson, and Jesse Mendez. Their first album, The Ultra-Violent, which featured Jim Gillette on vocals, guest appearances by his wife Lita Ford, guitarist Michael Angelo, and David Ezrin. Following the release of The Ultra-Violent in 2001, Jim Gillette left the band. Chris Campise took over on vocals and the band recorded Better Off Dead in 2003. The band continues on as a three-piece.

In 2009, Jim appeared as a back-up vocalist and producer on Lita Ford's new album, Wicked Wonderland.

Read more about this topic:  Jim Gillette

Famous quotes containing the word biography:

    In how few words, for instance, the Greeks would have told the story of Abelard and Heloise, making but a sentence of our classical dictionary.... We moderns, on the other hand, collect only the raw materials of biography and history, “memoirs to serve for a history,” which is but materials to serve for a mythology.
    Henry David Thoreau (1817–1862)

    A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.
    André Maurois (1885–1967)