Jethro (comedian) - Television

Television

Jethro made his TV debut on the Westward Television programme 'Treasure Hunt' playing a pirate co-host.

In addition to his appearances on stage and video, Jethro has made a record nine appearances on TV shows hosted by Des O'Connor. His first appearance was on the Des O'Connor Tonight show in 1990, followed by a return for the Christmas Eve show later that year - the first time a comedian had been invited back during one series. He also appeared five times on Jim Davidson’s Generation Game show, twice giving a demonstration of how to make a Cornish pasty. Jethro was also involved in one of the show's longest sequences of out-takes, removed due to his and Davidson's uncontrolled fits of laughter but later shown separately; it involved the story of the boy who put his finger in the dike, with a pun on dyke. Davidson has said that he regards Jethro as his favourite storyteller, one of his great stories being Train don't stop Camborne Wednesdays.

He has hosted two shows of his own, The Jethro Junction, on HTV and in December 2001 appeared in front of the Queen for the Royal Variety Show.

Read more about this topic:  Jethro (comedian)

Famous quotes containing the word television:

    In full view of his television audience, he preached a new religion—or a new form of Christianity—based on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.
    New Yorker (April 23, 1990)

    Photographs may be more memorable than moving images because they are a neat slice of time, not a flow. Television is a stream of underselected images, each of which cancels its predecessor. Each still photograph is a privileged moment, turned into a slim object that one can keep and look at again.
    Susan Sontag (b. 1933)

    The television screen, so unlike the movie screen, sharply reduced human beings, revealed them as small, trivial, flat, in two banal dimensions, drained of color. Wasn’t there something reassuring about it!—that human beings were in fact merely images of a kind registered in one another’s eyes and brains, phenomena composed of microscopic flickering dots like atoms. They were atoms—nothing more. A quick switch of the dial and they disappeared and who could lament the loss?
    Joyce Carol Oates (b. 1938)