Media Appearances
Sutta plays the woman who was abused by her husband in Ana Johnsson's music video for "Don't Cry for Pain". As a freelance dancer, she appeared in music videos for Will Smith ("Miami"), Baby Bash ("Suga Suga"), Craig David ("Spanish") and Gloria Estefan ("Don't Let This Moment End"), among others.
As an actress, she was part of the original cast in the Swedish American soap opera known as Ocean Ave., along side Megan Fox, where she played Jody Starr, a pill-poppin' Gothic teenager. She has also appeared in the movie From Justin to Kelly, a 2003 American romantic comedy musical film, and Bully where she played Blonde. Sutta had a brief role in the 2003 film Bad Boys II. She was also hosting a show for a Miami based cable network called "SoBe in the Night". In 2007, she appeared on an episode of the game show Identity in disguise as a Pussycat Doll.
In 2007, Sutta appeared in a series of video ads on MySpace for Unilever's Axe body spray, as part of their 'Bom Chicka Wah Wah' campaign. The ads took the form of instructional dance videos, with Sutta displaying 'sexy' dance moves.
In 2010, Sutta appeared in FHM Magazine's "100 Sexiest Women in the World", ranking at #71.
In December 2010, Sutta appeared in the YouTube video for non-profit organisation FCKH8, a play on the NOH8 campaign, of which she also shot a photo for.
In 2011, Sutta appeared in Capra's music video for their new song "If I Was". Sutta also guest featured in "HAHA,JK!", an online hidden-camera show, in webisode entitled "The Assistant", that stars Comedian Jamie Kennedy. Sutta was a guest judge on the sixth episode in the 19th cycle of America's Next Top Model.
Read more about this topic: Jessica Sutta
Famous quotes containing the words media and/or appearances:
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)
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