Criticism
According to Eliot Weinberger, an American writer, essayist, editor and translator, Kosiński was not the author of The Painted Bird. Weinberger alleged in his 2000 book Karmic Traces that Kosiński was not fluent in English at the time of its writing.
In a review of Jerzy Kosiński: A Biography by James Park Sloan, D. G. Myers, Associate Professor of English at Texas A&M University wrote "For years Kosinski passed off The Painted Bird as the true story of his own experience during the Holocaust. Long before writing it he regaled friends and dinner parties with macabre tales of a childhood spent in hiding among the Polish peasantry. Among those who were fascinated was Dorothy de Santillana, a senior editor at Houghton Mifflin, to whom Kosinski confided that he had a manuscript based on his experiences. Upon accepting the book for publication Santillana said, "It is my understanding that, fictional as the material may sound, it is straight autobiography." Although he backed away from this claim, Kosinski never wholly disavowed it."
M. A. Orthofer addressed Weinberger's assertion by saying: "Kosinski was, in many respects, a fake – possibly near as genuine a one as Weinberger could want. (One aspect of the best fakes is the lingering doubt that, possibly, there is some authenticity behind them – as is the case with Kosinski.) Kosinski famously liked to pretend he was someone he wasn't (as do many of the characters in his books), he occasionally published under a pseudonym, and, apparently, he plagiarized and forged left and right."
Kosiński himself addressed these claims in the introduction to the 1976 reissue of The Painted Bird, saying that "Well-intentioned writers critics, and readers sought facts to back up their claims that the novel was autobiographical. They wanted to cast me in the role of spokesman for my generation, especially for those who had survived the war; but for me survival was an individual action that earned the survivor the right to speak only for himself. Facts about my life and my origins, I felt, should not be used to test the book's authenticity, any more than they should be used to encourage readers to read The Painted Bird. Furthermore, I felt then, as I do now, that fiction and autobiography are very different modes."
Read more about this topic: Jerzy Kosinski
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