Jeff White - Playing Style

Playing Style

White's kicking accuracy was of particular note for a ruckman—his goal-kicking accuracy finished at slightly less than 60%. He was a consistent exponent of the spectacular mark, preferring to take chest marks high over packs. He was nominated on several occasions for the Mark of the Year, but he never won the award. His ball-skills and work around the ground remained one of his greatest strengths throughout his career. He effected 5000 hit-outs in his AFL career, the most by any one player since records began in 1987, with a career-high game total of 47 during a resounding round-22 win over West Coast Eagles in 2000. Testament to his durability and consistency, he was ranked in the top five in the AFL in total number of hit-outs for nine consecutive seasons from 1999. At 195 cm, White is relatively short for a ruckman, and operated more as a ruck-rover than as a traditional ruckman. He was noted for his athleticism and vertical-leap, which helped him overcome his lack of height in comparison to other ruckmen. His approach to ruck-work—with greater emphasis on possessing the ball and working around the ground—helped him adapt to the changed centre-circle rules, and compensated for his lack of height and diminished ability at stoppages. Following the departure of Jim Stynes from Melbourne, White later worked on his game with former ruckman Sam Newman. Percy Johnson, Stynes and finally Newman guided and influenced White's ruck-work during his career.

Read more about this topic:  Jeff White

Famous quotes containing the words playing and/or style:

    When as the rye reach to the chin,
    And chopcherry, chopcherry ripe within,
    Strawberries swimming in the cream,
    And school-boys playing in the stream;
    George Peele (1559–1596)

    I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.
    Cyril Connolly (1903–1974)