Career
After graduating from college, Smart began her career appearing in regional theater while still living in Seattle (Seattle Repertory Theater, Ashland (Oregon) Shakespeare festival, etc.). She moved to NYC in the mid 1970s with college friend and fellow actress, Elizabeth Wingate (Lavery), and began working in Off-Broadway productions almost immediately. Before long she made her Broadway debut portraying Marlene Dietrich in the 1981 play Piaf, a role which she would later reprise for the 1984 television version. Also in 1981, Smart was nominated for a Drama Desk Award for her performance in the Off-Broadway play Last Summer at Bluefish Cove.
She began working in television in several smaller to mid-size guest parts in the late 1970s and early 1980s, appearing in such shows as The Facts of Life, Alice, and Remington Steele among several others. Her big break came when she was cast in the starring role of Charlene Frazier Stillfield on the comedy series Designing Women from 1986 to 1991. After leaving Designing Women, her work mostly concentrated within made-for-TV movies and smaller- to mid-size roles in films. Notably she portrayed serial killer, Aileen Wuornos, in the TV movie, Overkill: The Aileen Wuornos Story (1992), Ory Baxter in a television version of The Yearling (1994), Sally Brewton in the television miniseries Scarlett (1995), and Mrs. Dittmeyer in The Brady Bunch Movie (1995). In 1995 Smart landed her own series, High Society, which co-starred Mary McDonnell, which lasted only 13 episodes. In 1998, Smart co-starred with Nancy McKeon in another short-lived CBS sitcom, Style & Substance. Other roles during the 1990s included Dana Colby in Steve Martini's Undue Influence (1998), Holly in Neil Simon's The Odd Couple II (1998), and Deborah Sloane in Guinevere (1999) among others.
In 2000, Smart's career took a turn for the better when she landed the role of Lorna Lynley (later renamed Lana Gardner) on the hit show Frasier. She went on to win two Emmy Awards for Outstanding Guest Actress in a Comedy Series. In 2001 she was nominated for a Tony Award for her performance in The Man Who Came to Dinner. Soon after she landed roles in several high profile films including Stella Kay Perry in the film Sweet Home Alabama, Kate Sanderson in Bringing Down The House, and Carol in Garden State. She also provided the voice of the alcoholic chain-smoking, Pickles Oblong, on The Oblongs, and played the role of Supervisor of Detectives and ex-wife to Chief Jack Mannion of the Metropolitan Police Department on The District.
From 2002 to 2007 she voiced Dr. Ann Possible in Kim Possible, and in 2004, she was cast in a lead role in the short-lived Center of the Universe, her fourth CBS sitcom, this one co-starring John Goodman and Olympia Dukakis.
In January 2006, Smart joined the cast of 24, playing the mentally unstable First Lady of the United States, Martha Logan, to actor Gregory Itzin's President Charles Logan. She received back-to-back Emmy nominations for Outstanding Supporting Actress in a Drama Series and Outstanding Guest Actress in a Drama for the role in 2006 and 2007.
Smart won the 2008 Emmy Award for Best Supporting Actress in a Comedy Series for portraying Samantha's overbearing mother in the sitcom Samantha Who?, which she played from 2007 to 2009. She later was cast as Hawaii Governor Pat Jameson during the first season of the CBS-TV remake of Hawaii Five-0.
In 2012, Smart was nominated for a Primetime Emmy Award for Outstanding Guest Actress in a Drama Series for her role in Harry's Law.
Read more about this topic: Jean Smart
Famous quotes containing the word career:
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)
“They want to play at being mothers. So let them. Expressing tenderness in their own way will not prevent girls from enjoying a successful career in the future; indeed, the ability to nurture is as valuable a skill in the workplace as the ability to lead.”
—Anne Roiphe (20th century)