Jean Roger-Ducasse - Compositions

Compositions

Roger-Ducasse wrote music in nearly all classical forms, and was particularly known for his operatic stage works and orchestral compositions. These include:

• Au Jardin de Marguerite, 1901-1905 Based on an episode in Goethe's Faust
• Sarabande, 1907 Symphonic poem with chorus.
• Suite française, Concerts Calonne, Paris, 1907
• Marche française, 1914
• Nocturne de printemps, 1920
• Nocturne d’hiver, 1921
• Epithalame for orchestra, 1923
• Orphée mimodrame lyrique, Opéra Garnier, June 1936 Based on his own libretto, closely following the Greek myth. The production was mounted by Ida Rubinstein.
• Cantegril, comédie lyrique, Paris Opéra-Comique, 6 February 1931. His most ambitious work, with thirty-two demanding roles, was directed by Masson and Ricou with Roger Bourdin as Cantegril.
• Petite Suite
• Variations sur un thème grave ("Pleasant Variations on a serious theme") for harp and orchestra.
• Ulysse et les sirènes ("Odysseus and the Sirens"), 1937

His piano pieces and chamber music are also noteworthy. He composed a piano quartet, a Romance for cello and piano, and two string quartets; the second, his swan song, debuted 24 May 1953, at the Château de la Brède.

Roger-Ducasse wrote only one work for organ, entitled Pastorale, a masterpiece rarely played in France. Written in 1909 and published by Éditions Durand, it is a challenging virtuoso showpiece. The work has been eclipsed by more recent compositional styles, nevertheless it has remained popular with performers in the United States.

Like Paul Dukas and Maurice Duruflé, Roger-Ducasse was severely self-critical, destroying music that did not meet his exacting standards.