Jean-Paul Marat - Scientist and Physician

Scientist and Physician

Jean-Paul Marat was born in Boudry in the Prussian Principality of Neuchâtel, now part of Switzerland, on 24 May 1743. He was the second of nine children born to Jean Mara (Giovanni Mara), a native of Cagliari, Sardinia, and Louise Cabrol, a French Huguenot from Castres. His father was a Mercedarian "commendator" and religious refugee who converted to Calvinism in Geneva. At the age of sixteen, Marat left home and set off in search of fame and fortune, aware of the limited opportunities for outsiders. His highly educated father had been turned down for several secondary teaching posts. His first post was as a private tutor to the wealthy Nairac family in Bordeaux. After two years there he moved on to Paris where he studied medicine without gaining any formal qualifications. Moving to London around 1765, for fear of being "drawn into dissipation", he set himself up informally as a doctor, befriended the Royal Academician artist Angelika Kauffmann, and began to mix with Italian artists and architects in the coffee houses around Soho. Highly ambitious, but without patronage or qualifications, he set about imposing himself into the intellectual scene with essays on philosophy ("A philosophical Essay on Man", published 1773) and political theory ("Chains of Slavery", published 1774). Voltaire's sharp critique in defense of his friend Helvétius brought the young Marat to wider attention for the first time and reinforced his growing sense of a wide division between the materialists, grouped around Voltaire on one hand, and their opponents, grouped around Rousseau on the other.

Around 1770, Marat moved to Newcastle upon Tyne, possibly gaining employment as a veterinarian. His first political work Chains of Slavery, inspired by the activities of the MP and Mayor John Wilkes, was most probably compiled in the central library here. By Marat's own colourful account, he lived on black coffee for three months, during its composition, sleeping only two hours a night – and then slept soundly for thirteen days in a row. He gave it the subtitle, "A work in which the clandestine and villainous attempts of Princes to ruin Liberty are pointed out, and the dreadful scenes of Despotism disclosed". It earned him honorary membership of the patriotic societies of Berwick, Carlisle and Newcastle. The Newcastle Literary and Philosophical Society Library possesses a copy, and Tyne and Wear Archives Service holds three presented to the various Newcastle guilds.

A published essay on curing a friend of gleets (gonorrhea) probably helped him to secure his referees for an honorary medical degree from the St. Andrews University in June 1775. On his return to London, he further enhanced his reputation with the publication of an Enquiry into the Nature, Cause, and Cure of a Singular Disease of the Eyes.

In 1776, Marat moved to Paris following a brief stopover in Geneva to visit his family. Here his growing reputation as a highly effective doctor, along with the patronage of the marquis de l'Aubespine, the husband of one of his patients, secured his appointment, in 1777, as physician to the bodyguard of the comte d'Artois, Louis XVI's youngest brother who was to become king Charles X in 1824. The position paid 2,000 livres a year plus allowances.

Marat was soon in great demand as a court doctor among the aristocracy and he used his new-found wealth to set up a laboratory in the marquise de l'Aubespine's (thought to be his mistress) house. Soon he was publishing works on fire & heat, electricity and light. In his Mémoires, his later enemy Brissot admitted Marat's growing influence in Parisian scientific circles. When Marat presented his scientific researches to the Académie des Sciences, they were not approved and he was rejected as a member several times. In particular, the Academicians were appalled by his temerity in disagreeing with (the hitherto uncriticized) Newton. Benjamin Franklin visited him on several occasions and Goethe described his rejection by the Academy as a glaring example of scientific despotism. In 1780, Marat published his "favourite work", a Plan de législation criminelle. Inspired by Rousseau and Beccaria, his polemic for judicial reform argued for a common death penalty for all regardless of social class and the necessity for a twelve-man jury to ensure fair trials.

In April 1786, he resigned his court appointment and devoted his energies full-time to scientific research. He published a well-received translation of Newton's Opticks (1787), and later a collection of experimental essays including a study on the effect of light on soap bubbles in his Mémoires académiques, ou nouvelles découvertes sur la lumière ("Academic memoirs, or new discoveries on light", 1788).

Many of his references to slavery illustrate the curious links between the use of the language of slavery in a metaphorical sense (to be "slave" to a king) and the triangular trade (chattel slavery). As a tutor in the leading slave port of Bordeaux, he may have witnessed aspects of the trade. He worked as a tutor to those merchants who benefitted from it for many months. Soon after the uprisings in the Caribbean island and sugar colony of St Domingue (later Haiti after its revolution), he wrote in 1792 that those in St Domingue are "a separate people" from France. He cited the new constitution (of 1791), "The basis of all free government is that no people can be legally subject to another people..." (from "The Friend of the People" 1792. See the excerpt in Dubois & Garrigus, editors, "Slave Revolution in the Caribbean, 1789-1804, p 111-112).

Read more about this topic:  Jean-Paul Marat

Famous quotes containing the words scientist and, scientist and/or physician:

    Imagination could hardly do without metaphor, for imagination is, literally, the moving around in one’s mind of images, and such images tend commonly to be metaphoric. Creative minds, as we know, are rich in images and metaphors, and this is true in science and art alike. The difference between scientist and artist has little to do with the ways of the creative imagination; everything to do with the manner of demonstration and verification of what has been seen or imagined.
    Robert A. Nisbet (b. 1913)

    Imagination could hardly do without metaphor, for imagination is, literally, the moving around in one’s mind of images, and such images tend commonly to be metaphoric. Creative minds, as we know, are rich in images and metaphors, and this is true in science and art alike. The difference between scientist and artist has little to do with the ways of the creative imagination; everything to do with the manner of demonstration and verification of what has been seen or imagined.
    Robert A. Nisbet (b. 1913)

    A physician can sometimes parry the scythe of death, but has no power over the sand in the hourglass.
    Hester Lynch Piozzi (1741–1821)