Background and Recording
Following Alice in Chains' extensive 1993 world tour for Dirt and appearance at Lollapalooza, the band members returned home to Seattle to find themselves evicted from their residence after failing to pay the rent. The band then moved into London Bridge Studio feeling lonely and depressed. Vocalist Layne Staley said the band "just wanted to go into the studio for a few days with our acoustic guitars and see what happened. We never really planned on the music we made at that time to be released. But the record label heard it and they really liked it. For us, it was just the experience of four guys getting together in the studio and making some music."
Written and recorded in one week in September 1993, Jar of Flies was produced by the band members themselves with Toby Wright, and marks the first major studio recording with bassist Mike Inez "(the band recorded two songs with Inez, "What the Hell Have I" and "A Little Bitter", for the Summer 1993 Last Action Hero soundtrack earlier in the year)". Guitarist Jerry Cantrell said, "That was the first time we'd written with Mike Inez...The whole Jar of Flies EP proved to both us and the fans what a talented and valid part of the band Mike was. He plays the nastiest, darkest shit but he's got the sweetest heart in the world."
According to Staley, the title for the album came from a science experiment Cantrell conducted in third grade: "They gave him two jars full of flies. One of the jars they overfed, the other jar they underfed. The one they overfed flourished for a while, then all the flies died from overpopulation. The one they underfed had most of the flies survive all year. I guess there's a message in there somewhere. Evidently that experiment had a big impact on Jerry."
Read more about this topic: Jar Of Flies
Famous quotes containing the words background and, background and/or recording:
“... every experience in life enriches one’s background and should teach valuable lessons.”
—Mary Barnett Gilson (1877–?)
“I had many problems in my conduct of the office being contrasted with President Kennedy’s conduct in the office, with my manner of dealing with things and his manner, with my accent and his accent, with my background and his background. He was a great public hero, and anything I did that someone didn’t approve of, they would always feel that President Kennedy wouldn’t have done that.”
—Lyndon Baines Johnson (1908–1973)
“I didn’t have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let’s say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!”
—Henry Miller (1891–1980)