Aesthetics of Japanese Bondage
The aesthetics of the bound person's position is important: in particular, Japanese bondage is distinguished by its use of specific katas (forms) and aesthetic rules. Sometimes, asymmetric and often intentionally uncomfortable positions are employed. In particular, Japanese bondage is very much about the way the rope is applied and the pleasure is more in the journey than the destination. In this way the rope becomes an extension of the nawashi's hands and is used to communicate.
Traditional Japanese bondage techniques use natural vegetable fiber rope (hemp, jute, or linen) exclusively, though contemporary Japanese Masters have been working with a range of rope materials. The natural fibers easily lock to each other which means the bondage can be held together by the friction of twists and turns or very simple knots. Traditionally, multiple 6-8 meter lengths are used.
Read more about this topic: Japanese Bondage
Famous quotes containing the words aesthetics, japanese and/or bondage:
“What is the use of aesthetics if they can neither teach how to produce beauty nor how to appreciate it in good taste? It exists because it behooves rational human beings to provide reasons for their actions and assessments. Even if aesthetics are not the mathematics of beauty, they are the proof of the calculation.”
—Franz Grillparzer (1791–1872)
“A pragmatic race, the Japanese appear to have decided long ago that the only reason for drinking alcohol is to become intoxicated and therefore drink only when they wish to be drunk.
So I went out into the night and the neon and let the crowd pull me along, walking blind, willing myself to be just a segment of that mass organism, just one more drifting chip of consciousness under the geodesics.”
—William Gibson (b. 1948)
“The ex-Presidential situation has its advantages, but with them are certain drawbacks. The correspondence is large. The meritorious demands on one are large. More independent out than in place, but still something of the bondage of the place that was willingly left. On the whole, however, I find many reasons to be content.”
—Rutherford Birchard Hayes (1822–1893)