Aesthetics of Japanese Bondage
The aesthetics of the bound person's position is important: in particular, Japanese bondage is distinguished by its use of specific katas (forms) and aesthetic rules. Sometimes, asymmetric and often intentionally uncomfortable positions are employed. In particular, Japanese bondage is very much about the way the rope is applied and the pleasure is more in the journey than the destination. In this way the rope becomes an extension of the nawashi's hands and is used to communicate.
Traditional Japanese bondage techniques use natural vegetable fiber rope (hemp, jute, or linen) exclusively, though contemporary Japanese Masters have been working with a range of rope materials. The natural fibers easily lock to each other which means the bondage can be held together by the friction of twists and turns or very simple knots. Traditionally, multiple 6-8 meter lengths are used.
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“What is the use of aesthetics if they can neither teach how to produce beauty nor how to appreciate it in good taste? It exists because it behooves rational human beings to provide reasons for their actions and assessments. Even if aesthetics are not the mathematics of beauty, they are the proof of the calculation.”
—Franz Grillparzer (1791–1872)
“The Japanese are, to the highest degree, both aggressive and unaggressive, both militaristic and aesthetic, both insolent and polite, rigid and adaptable, submissive and resentful of being pushed around, loyal and treacherous, brave and timid, conservative and hospitable to new ways.”
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“Marriage is the only actual bondage known to our law. There remain no legal slaves, except the mistress of every house.”
—John Stuart Mill (1806–1873)