Japanese Aircraft Carrier Kaga - Design and Construction

Design and Construction

See also: Tosa class battleship

Kaga was laid down as a Tosa-class battleship, and was launched on 17 November 1921 at the Kawasaki Heavy Industries shipyard in Kobe. On 5 February 1922 both Tosa-class ships were canceled and scheduled to be scrapped under the terms of the Washington Naval Treaty.

The Treaty authorized conversion of two battleship or battlecruiser hulls into aircraft carriers of up to 33,000 long tons (34,000 t) standard displacement. The incomplete battlecruisers Amagi and Akagi were initially selected, but the Great Kantō Earthquake of 1923 damaged Amagi's hull beyond economically feasible repair, and Kaga was selected as her replacement. The formal decision to convert Kaga to an aircraft carrier was issued 13 December 1923, but no work took place until 1925 as new plans were drafted and earthquake damage to the Yokosuka Naval Arsenal was repaired. She was officially commissioned on 31 March 1928, but this signified only the beginning of sea trials. She joined the Combined Fleet (Rengo kantai) on 30 November 1929 as the IJN's third carrier to enter service, after Hōshō (1922) and Akagi (1927).

Kaga was completed with a length of 238.5 meters (782 ft 6 in) overall. She had a beam of 31.67 meters (103 ft 11 in) and a draft at full load of 7.92 meters (26 ft 0 in). She displaced 26,900 long tons (27,300 t) at standard load, and 33,693 long tons (34,234 t) at full load, nearly 6,000 long tons (6,100 t) less than her designed displacement as a battleship. Her complement totaled 1340 crewmembers.

Read more about this topic:  Japanese Aircraft Carrier Kaga

Famous quotes containing the words design and/or construction:

    I always consider the settlement of America with reverence and wonder, as the opening of a grand scene and design in providence, for the illumination of the ignorant and the emancipation of the slavish part of mankind all over the earth.
    John Adams (1735–1826)

    No construction stiff working overtime takes more stress and straining than we did just to stay high.
    Gus Van Sant, U.S. screenwriter and director, and Dan Yost. Bob Hughes (Matt Dillon)