Reception
The October 2002 episode that showed Jamie badly beaten by Phil prompted thirty-one complaints to the Broadcasting Standards Commission, who felt that although the scene was short, it was too violent for the time of broadcast. The episode that saw Jamie get run over was watched by 12 million people, while the hour-long episode in which he dies attracted 16 million viewers and was named by the Metro as one of the top five EastEnders exits in June 2010.
In July 2011, BBC aired an EastEnders special called EastEnders Greatest Exits. It showed the best departures in the shows history, with Jamie's death being one of them. Jamie's death was called "tragic", and McFadden said, "to see a young man losing his life was one of those tragic moments that this show pulls of really well." Charlie Brooks said, "it was heartbreaking for the nation" and Fenwick described Jamie's last episode as "very sad". Finally, Joe Swash said, "EastEnders is really good at bringing you back down to earth with bump. You celebrate one thing and mourn poor old Jamie's death. Not only that but there was probably about 25 million girls out there, breaking their hearts because they all loved Jack Ryder".
Read more about this topic: Jamie Mitchell
Famous quotes containing the word reception:
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (18581915)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fallthe company they find already present there, on their admission into the house of thought.”
—Walter Pater (18391894)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)