James Maidment - Works

Works

Maidment showed an early taste for antiquarian and historical research, and he became friends with Sir Walter Scott, Charles Kirkpatrick Sharpe, and other men of letters. His publications were very numerous, though many were anonymous, and several were privately printed in small editions. He published generally with John Stevenson and his son Thomas George Stevenson. He edited works for the Bannatyne, Maitland, Abbotsford, and Hunterian Clubs, and for the Spottiswoode Society; and he was the main editor of John Kay's Edinburgh Portraits, 2 vols. 1837. One of his major works is the Dramatists of the Restoration,’ 14 vols. Edinburgh, 1877, in the editorship of which he was assisted by William Hugh Logan.

Other of Maidment's compilations were:

  • ‘Nugæ Derelictæ: Documents illustrative of Scotish Affairs, 1206–1715,’ with Robert Pitcairn, 1822.
  • ‘Reliquiæ Scoticæ: Scotish Remains in Prose and Verse, from Original MSS. and Scarce Tracts,’ 1828.
  • ‘Letters from Bishop Percy, John Callander of Craigforth, David Herd, and others, to George Paton (late of the Custom House, Edinburgh), with an Appendix of Illustrative Matter, Biographical Notices, &c.,’ 1830.
  • ‘Historical Fragments relative to Scotish Affairs from 1635 to 1664,’ 1832–3.
  • ‘The Argyle Papers,’ from the manuscripts of Robert Mylne, 1834.
  • ‘Galations: an Ancient Mystery,’ 1835, taken down from the recitations of the Guisards at Stirling about 1815.
  • ‘Fragmenta Scoto-Dramatica, 1715–1758, from Original Manuscripts and other Sources,’ 1835.
  • ‘Bannatyniana: Notices relative to the Bannatyne Club, instituted in February M.DCCC.XXIII.; including Critiques on some of its Publications; with a curious Prefatory Notice, including Letters to and from Sir Walter Scott, Notes, &c.,’ 1836.
  • ‘Analecta Scotica: Collections illustrative of the Civil, Ecclesiastical, and Literary History of Scotland, chiefly from Original Manuscripts,’ 2 vols. 1834–7.
  • ‘Roxburgh Revels, and other relative Papers; including Answers to the Attack on the Memory of the late Joseph Haslewood, with Specimens of his Literary Productions,’ 1837.
  • ‘Court of Session Garland: with an Appendix,’ 1839.
  • ‘Scotish Elegiac Verses on the Principal Nobility and Gentry, from 1629 to 1729, with interesting Biographical Notices, Notes, and an Appendix of illustrative Papers,’ 1842.
  • ‘The Spottiswoode Miscellany: a Collection of Original Papers and Tracts, illustrative chiefly of the Civil and Ecclesiastical History of Scotland, with Biographical Notices and Notes,’ 2 vols. 1844–5.
  • ‘Genealogical Fragments,’ 1855.
  • ‘Scotish Ballads and Songs, with illustrative Notes, &c.,’ 1859.
  • ‘A Book of Scotish Pasquils, 1568–1715, edited with Introductory and Prefatory Remarks,’ 1868.
  • ‘A Packet of Pestilent Pasquils,’ a supplemental part to the ‘Book of Scotish Pasquils,’ privately printed, 1868.

His publisher, Thomas George Stevenson, compiled a bibliography of his works, i.e. Bibliography of James Maidment, Esq., advocate, Edinburgh; From the year M.DCCC.XVII to M.DCCC.LXXVIII. Edinburgh: Printed for private circulation, 1883 (A new ed. of his "Bibliographical list of the various publications by James Maidment ... 1817-1859." Edinburgh, 1859.)

Read more about this topic:  James Maidment

Famous quotes containing the word works:

    You are always looking for already-felt emotions, just as you like to get an old pair of trousers back from the cleaners, which seem new when you don’t look too closely. Artists are cleaners, don’t let yourself be taken in by them. True modern works of art are made not by artists but quite simply by men.
    Francis Picabia (1878–1953)

    The ancients of the ideal description, instead of trying to turn their impracticable chimeras, as does the modern dreamer, into social and political prodigies, deposited them in great works of art, which still live while states and constitutions have perished, bequeathing to posterity not shameful defects but triumphant successes.
    Herman Melville (1819–1891)

    Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.
    Rebecca West (1892–1983)