Biography
The core of the band are the brothers and the main songwriters, Lars and Martin Horntveth. Martin formed Jaga Jazzist together with Ivar Christian Johansen in 1994 while they still were in their teens, though Johansen later left the group. They are also prominent figures of the Norwegian pop act The National Bank.
Jaga Jazzist nearly created a sensation with their debut album Jævla Jazzist Grete Stitz (1996), that contained playful, humorous jazz with elements of rap. The EP Magazine (1998) had signs of approache to the catchy, cinematic jazz music they later become known for. The very young Lars Horntveth became increasingly involved in composing the music they played.
After the album Magazine the rumor grew about their fresh expressions and energetic live shows, and the band toured extensively before they signed a recording contract with Warner Music in 2000. The highly anticipated debut album, A Livingroom Hush, was released in 2001 and consists of a melodic and energetic mix of lounge jazz, cinematic theme and instrumental rock. The disc producer Jørgen "Sir Duper Man" Træen had an important role during the recording, and he has left its mark on the plate with his crackling electronics. A Livingroom Hush got Alarm Prize in 2002 and the same year was named the year's jazz album of the BBC.
The band features trumpets, trombone, electric guitar, bass, tuba, bass clarinets, Fender Rhodes, vibraphone and a rack of electronics, as well as strong melodies and rhythms. Talk Talk, Soft Machine, John Coltrane, Don Cherry, Aphex Twin, Stereolab, Squarepusher and Tortoise are frequently mentioned as sources of inspiration. Jaga Jazzist is widely considered to be one of the premier acts of the so-called nu-jazz movement of Scandinavia. Also, The Mars Volta cites Jaga Jazzist as one of their favourite bands. Their latest album, One-Armed Bandit, was released on January 25, 2010.
Read more about this topic: Jaga Jazzist
Famous quotes containing the word biography:
“As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.”
—Henry David Thoreau (1817–1862)
“The death of Irving, which at any other time would have attracted universal attention, having occurred while these things were transpiring, went almost unobserved. I shall have to read of it in the biography of authors.”
—Henry David Thoreau (1817–1862)
“Had Dr. Johnson written his own life, in conformity with the opinion which he has given, that every man’s life may be best written by himself; had he employed in the preservation of his own history, that clearness of narration and elegance of language in which he has embalmed so many eminent persons, the world would probably have had the most perfect example of biography that was ever exhibited.”
—James Boswell (1740–95)