Jack Barry (television Personality) - Return To Game Shows

Return To Game Shows

"Slowly," said a 1984 article in TV Guide which discussed game show hosts, "he began to receive calls: Would he fill in for five weeks on this game show? Yes. Of course." Barry appeared on a few local game shows in Los Angeles during this time (mostly on KTLA), which included a local version of You Don't Say!, which was later hosted nationally by Tom Kennedy. Barry even dabbled in acting, playing a newsman on the premiere of the mid-1960s TV series Batman. He also did a guest reporter spot on the TV series The Addams Family.

Finally, in 1969 he became a host again, for ABC's The Generation Gap, replacing original host Dennis Wholey for the final weeks of its series.

Later in that year, Barry embarked on an idea which would launch his national comeback, and eventually become the most successful game show project of his career. He developed and produced two pilots for The Joker's Wild in association with Goodson-Todman Productions, emceed by Allen Ludden. CBS held off on picking up the series at first. In 1970, Barry produced a pilot with a similar concept called The Honeymoon Game, hosted by Jim McKrell. After that failed to sell, Barry reworked the format and launched a local version of The Joker's Wild in 1971 on Los Angeles' KTLA, while early in that same year also selling The Reel Game to ABC. Barry also hosted this show, pitting three contestants in answering questions centered around vintage newsreel footage, for cash prizes, and the chance for a new car (which no contestants won during the run). The series ran weekly in prime-time for 13 weeks.

The Joker's Wild made its national debut on CBS in 1972 (debuting on the same day as The Price Is Right) with Barry hosting and packaging the show (under the Jack Barry Productions name) until CBS cancelled it in 1975. Jack Barry Productions, meanwhile, also packaged Hollywood's Talking, Geoff Edwards' first game show, and Blank Check, hosted by veteran quiz and game host and announcer Art James. Even before Joker, however, Barry had displayed no loss of concurrent hosting and production skill, doing both with The Reel Game and a 1970s revival of Juvenile Jury.

Barry even brought Dan Enright back as The Joker's Wild's executive producer toward the end of its first network run, mentioning Enright at the end of the final CBS installment. The two renewed their working partnership full-time in 1976, launching Break the Bank, hosted by Tom Kennedy, on ABC's daytime lineup. (When ABC cancelled the show despite decent ratings, Barry himself hosted and produced the show for weekly syndication during the 1976-77 season.)

In the fall of 1976, Barry sold reruns of The Joker's Wild's final CBS season to several stations, including New York's WOR-TV and Los Angeles' KTLA. These reruns rated highly enough that Barry and Enright chose to bring the game back into production for first-run syndication beginning in 1977, with Barry again the host. The show was distributed by Dick Colbert Television Sales and produced at the Chris Craft Studios of KCOP-TV in Hollywood. The series was seen in Los Angeles on KHJ-TV, despite being produced at KCOP, and despite the test run of the final CBS season having aired on KTLA the season before. Joker eventually did air on its flagship, KCOP, during the last several seasons.

The new, syndicated Joker was a huge success, enough that it enabled Barry to reach back to his days as a children's program creator and host, launching in 1979 Joker! Joker!! Joker!!!, a weekly kids' version of The Joker's Wild in which children could win savings bonds (their family members assisted them in playing the bonus rounds).

The new Joker was so successful that Barry and Enright gambled on reviving a show whose reputation had been somewhat damaged by the ancient quiz show scandal. Tic-Tac-Dough, with new host Wink Martindale, first had an unsuccessful eight-week run on CBS' daytime schedule in 1978. The syndicated run of the show (debuting in the fall of 1978) became successful and ran for eight years with Martindale and in its final year, with Jim Caldwell as host. From there, Barry & Enright in the 1970s and early 1980s developed and produced games like Bullseye, Play the Percentages, Hot Potato, and Hollywood Connection. They also produced several unsold pilots such as Decisions, Decisions. They even developed a resurrected Twenty-One in 1982, though this version never saw air. In due course, Barry & Enright Productions moved to film and series television production work.

In his final years, Barry renewed ties with NBC and began developing game show projects, including Hot Potato, which proved to be his last that made it to television. He also made an attempt to sell The Joker's Wild and Tic Tac Dough to NBC affiliates in an attempt to remove a winnings limit of $50,000 imposed due to the amount of CBS affiliates (in compliance with a network rule) airing both series, as NBC imposed no such winnings limit on its or its affiliates' programming. That limit was eventually removed shortly before Barry's death.

Read more about this topic:  Jack Barry (television Personality)

Famous quotes containing the words return to, return, game and/or shows:

    I thought to myself that it was still another Sunday gone by, that Mother was now buried, that I was going to return to work and that, after all, nothing had changed.
    Albert Camus (1913–1960)

    We wished our two souls
    might return like gulls
    to the rock. In the end,
    the water was too cold for us.
    Robert Lowell (1917–1977)

    The most disgusting cad in the world is the man who, on grounds of decorum and morality, avoids the game of love. He is one who puts his own ease and security above the most laudable of philanthropies.
    —H.L. (Henry Lewis)

    The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.
    Friedrich Nietzsche (1844–1900)