Work in Film Production, and South Africa Connections
Abramoff spent 10 years in Hollywood. He wrote and produced, with his brother Robert, the 1989 film Red Scorpion. The film had a $16 million budget and starred Dolph Lundgren playing the Spetznaz-like Soviet commando Nikolai, sent by the USSR to assassinate an African revolutionary in a country similar to Angola. Nikolai sees the evil of the Soviets and changes sides, becoming a freedom fighter for the African side.
The South African government financed the film via the International Freedom Foundation, a front-group chaired by Abramoff, as part of its efforts to undermine international sympathy for the African National Congress. The filming location was in South-West Africa (now Namibia).
On April 27, 1998, Abramoff wrote a letter to the editor of The Seattle Times rebutting an article critical of him and his alleged role as effectively a Public Relations puppet of the then-apartheid South African military. Abramoff rebutted: "The IFF was a conservative group which I headed. It was vigorously anti-Communist, but it was also actively anti-apartheid. In 1987, it was one of the first conservative groups to call for the release of Nelson Mandela, a position for which it was roundly criticized by other conservatives at the time. While I headed the IFF, we accepted funding only from private individuals and corporations and would have absolutely rejected any offer of South African military funding, or any other kind of funding from any government — good or evil."
During this period in South Africa, Abramoff first met South African–born rabbi David Lapin, who would become his religious advisor, and Lapin's brother and fellow rabbi Daniel Lapin, who allegedly introduced Abramoff to Congressman Tom DeLay (R-TX) at a Washington, DC dinner shortly after the Republican takeover of Congress in 1994. Lapin later claimed that he did not recall the introduction.
Read more about this topic: Jack Abramoff
Famous quotes containing the words work in, work, film, south, africa and/or connections:
“Gustav Aschenbach was the writer who spoke for all those who work on the brink of exhaustion, who labor and are heavy-laden, who are worn out already but still stand upright, all those moralists of achievement who are slight of stature and scanty of resources, but who yet, by some ecstasy of the will and by wise husbandry, manage at least for a time to force their work into a semblance of greatness.”
—Thomas Mann (18751955)
“I move my thin legs into your office
and we work over the cadaver of my soul.
We make a stage set out of my past
and stuff painted puppets into it.”
—Anne Sexton (19281974)
“Perhaps our eyes are merely a blank film which is taken from us after our deaths to be developed elsewhere and screened as our life story in some infernal cinema or despatched as microfilm into the sidereal void.”
—Jean Baudrillard (b. 1929)
“We have heard all of our lives how, after the Civil War was over, the South went back to straighten itself out and make a living again. It was for many years a voiceless part of the government. The balance of power moved away from itto the north and the east. The problems of the north and the east became the big problem of the country and nobody paid much attention to the economic unbalance the South had left as its only choice.”
—Lyndon Baines Johnson (19081973)
“What is Africa to me:
Copper sun or scarlet sea,
Jungle star or jungle track,
Strong bronzed men, or regal black
Women from whose loins I sprang
When the birds of Eden sang?”
—Countee Cullen (19031946)
“Growing up human is uniquely a matter of social relations rather than biology. What we learn from connections within the family takes the place of instincts that program the behavior of animals; which raises the question, how good are these connections?”
—Elizabeth Janeway (b. 1913)