Italic Type - History

History

Italic type was first used by Aldus Manutius and the Aldine Press in 1501, in an edition of Virgil dedicated to Italy. According to Lynne Truss, Manutius invented the italic typeface. Based on the Humanist cursive script first developed in the 1420s by Niccolò de' Niccoli, it served as a condensed type for simple, compact volumes. The punches for these types were cut by Francesco da Bologna (whose surname was Griffo). In 1501 Aldus wrote to his friend Scipio:

We have printed, and are now publishing, the Satires of Juvenal and Persius in a very small format, so that they may more conveniently be held in the hand and learned by heart (not to speak of being read) by everyone.

Unlike the italic type of today, the capital letters were upright roman capitals which were shorter than the ascending lower-case italic letters and used about 65 tied letters (ligatures) in the Aldine Dante and Virgil of 1501.

This Aldine italic became the model for most italic types. It was very popular in its own day and was widely (and inaccurately) imitated. The Venetian Senate gave Aldus exclusive right to its use, a patent confirmed by three successive Popes, but it was widely counterfeited. The Italians called the character Aldino, while others called it Italic.

The slanting italic capital was first introduced by printers in Lyon and is now used in nearly all italic fonts.

Read more about this topic:  Italic Type

Famous quotes containing the word history:

    “When the landscape buckles and jerks around, when a dust column of debris rises from the collapse of a block of buildings on bodies that could have been your own, when the staves of history fall awry and the barrel of time bursts apart, some turn to prayer, some to poetry: words in the memory, a stained book carried close to the body, the notebook scribbled by hand—a center of gravity.”
    —Adrienne Rich (b. 1929)

    “The history is always the same the product is always different and the history interests more than the product. More, that is, more. Yes. But if the product was not different the history which is the same would not be more interesting.”
    —Gertrude Stein (1874–1946)

    “The history of modern art is also the history of the progressive loss of art’s audience. Art has increasingly become the concern of the artist and the bafflement of the public.”
    —Henry Geldzahler (1935–1994)