Italian Musical Terms Used In English
A great many musical terms are in Italian. This is because many of the most important early composers from the Renaissance to the Baroque period were Italian, and that period is when numerous musical indications were used extensively for the first time. (See also sheet music.)
Here are some of these expressions:
| Italian term | Literal translation | Definition |
Read more about Italian Musical Terms Used In English: Musical Forms, Musical Instruments, Voices, Tempo, Dynamics - Volume, Moods, Musical Expression (general), Directions, Techniques, Roles, Criticism, Musical Direction
Famous quotes containing the words italian, musical, terms and/or english:
“Semantically, taste is rich and confusing, its etymology as odd and interesting as that of “style.” But while style—deriving from the stylus or pointed rod which Roman scribes used to make marks on wax tablets—suggests activity, taste is more passive.... Etymologically, the word we use derives from the Old French, meaning touch or feel, a sense that is preserved in the current Italian word for a keyboard, tastiera.”
—Stephen Bayley, British historian, art critic. “Taste: The Story of an Idea,” Taste: The Secret Meaning of Things, Random House (1991)
“Creative force, like a musical composer, goes on unweariedly repeating a simple air or theme, now high, now low, in solo, in chorus, ten thousand times reverberated, till it fills earth and heaven with the chant.”
—Ralph Waldo Emerson (1803–1882)
“The research on gender and morality shows that women and men looked at the world through very different moral frameworks. Men tend to think in terms of “justice” or absolute “right and wrong,” while women define morality through the filter of how relationships will be affected. Given these basic differences, why would men and women suddenly agree about disciplining children?”
—Ron Taffel (20th century)
“The traveler to the United States will do well ... to prepare himself for the class-consciousness of the natives. This differs from the already familiar English version in being more extreme and based more firmly on the conviction that the class to which the speaker belongs is inherently superior to all others.”
—John Kenneth Galbraith (b. 1908)