Isabella of Bourbon - Tomb

Tomb

Isabella may not have been of any significance or had any influence during her lifetime, but in her death she became a symbol of the wealth of the Dukes of Burgundy, which would later be inherited by her only daughter Mary. Isabella's funeral monument was erected in the abbey church of St Michael near Antwerp in 1476. It was decorated with 24 bronze statuettes of noblemen and women standing in niches, known as 'weepers' or 'mourners', with a bronze effigy of Isabella herself surmounted on it. During the Iconoclast Fury of 1566, radical Protestants destroyed images in Catholic churches and monasteries. The destruction was justified by Calvin's contention that all images in churches were idolatrous and had to be removed. As a result, Isabella's tomb was stripped of its decorations and the 'mourners' disappeared.

However, ten of them turned up in Amsterdam. In 1691 the burgomasters of Amsterdam purchased the ten statues which they thought represented the counts and countesses of Holland. Pieter de Vos, 'clerk of the secretariat', was the man who sold the statuettes, which he had presumably inherited from his father. In exchange for the statues De Vos received an annual pension of 150 guilders. He died in 1721; the city had therefore paid De Vos around four thousand five hundred guilders for the mourners. The clothes worn by the mourners are of an earlier fashion than Isabella's. This is probably because the mourners were copied from older tombs, which are no longer in extant. The statuettes are copies from two earlier tombs, which were the work of the sculptor Delemer, the painter Rogier van der Weyden and the bronze-founder Jacob de Gerines, commissioned by Philip the Good. It is assumed that the models for the Amsterdam statuettes were supplied by Delemer or his workshop.

In fact the mourners are not Isabella's immediate family: they represent her ancestors. Two portraits have been identified as Emperor Louis of Bavaria (with the imperial crown and orb) and Albrecht of Bavaria, with the St Antony cross around his neck. These portraits have been identified on the basis of a list of names published in 1695 by Daniel Papebrochius. The statuettes reveal the kind of clothes worn by Burgundian nobles in the Late Middle Ages. An unusual aspect is the amount of cloth employed in the garments: the sleeves are exceptionally long, as are the robes. Various kinds of headgear are worn, both by men and women, the latter of whom have shaven heads, as was the fashion in those days.

These statues have been on display in the Rijksmuseum for around a hundred years. The rest of the tomb, with the statue of Isabella, is now in Antwerp cathedral. Nothing more of the tomb furnishings survives.