Works
His major work was the Biographia dramatica (2 vols., 1782), a set of biographies of dramatists and a descriptive dictionary of their plays. This book, which was an enlargement of David Erskine Baker's Companion to the Playhouse (2 vols., 1764), was re-edited (3 vols.) by Stephen Jones in 1811. The original work by Baker had been based on Gerard Langbaine the Younger's Account of the English Dramatick Poets (1691), Giles Jacob's Poetical Register (1719), Thomas Whincop's List of all the Dramatic Authors (printed with his tragedy of Scanderbeg, 1747) and the manuscripts of Thomas Coxeter. Reed's Notitia dramatica (Addit. MSS. 253902, British Museum), supplementary to the Biographia, was never published.
He also revised Robert Dodsley's Collection of Old Plays (12 vols., 1780); and re-edited Samuel Johnson and George Steevens's edition (1773) of Shakespeare. Reed's edition was published in ten volumes (1785), and he gave great assistance to Steevens in his edition (1793). He was Steevens's literary executor, and in 1803 published another edition (21 vols.) based on Steevens's later collections. This, which is known as the first variorum, was re-issued ten years later.
After his death, his library of theatrical literature was catalogued for sale as Bibliotheca Reediana (1807).
Read more about this topic: Isaac Reed
Famous quotes containing the word works:
“In the works of man, everything is as poor as its author; vision is confined, means are limited, scope is restricted, movements are labored, and results are humdrum.”
—Joseph De Maistre (1753–1821)
“Puritanism, in whatever expression, is a poisonous germ. On the surface everything may look strong and vigorous; yet the poison works its way persistently, until the entire fabric is doomed.”
—Emma Goldman (1869–1940)
“That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
—Lydia M. Child (1802–1880)