Irish Folk Songs - Instruments Used in Traditional Irish Music

Instruments Used in Traditional Irish Music

The guitar and bouzouki only entered the traditional Irish music world in the late 1960s. The word bodhrán, indicating a drum, is first mentioned in a translated English document in the 17th century,. The 4-string tenor banjo, first used by Irish musicians in the US in the 1920s, is now fully accepted. Céilidh bands of the 1940s often included a drum set and stand-up bass as well as saxophones. Neither the drum kit nor the sax are accepted by purists, though the banjo is. Traditional harp-playing died out in the late 18th century, and was revived by the McPeake Family of Belfast, Derek Bell, Mary O'Hara and others in the mid-20th century. Although often encountered, it plays a fringe role in Irish Traditional music.

Instruments such as button accordion and concertina made their appearances in Irish traditional music late in the 19th century. There is little evidence for the concert flute having played much part in traditional music. Traditional musicians prefer the wooden simple-style instrument to the Boehm-system of the modern orchestra. The mass-produced tin whistle is acceptable. A good case can be made that the Irish traditional music of the year 2006 had much more in common with that of the year 1906 than that of the year 1906 had in common with the music of the year 1806.

There is a three-cornered debate about which instruments are acceptable. Purists generally favour the line-up that can be heard on albums by The Chieftains, The Clancy Brothers, The Dubliners, and The Bothy Band. Modernists accept the drum kit of The Pogues and The Corrs, and the electric guitars of Horslips. Classically-influenced composers such as Mícheál Ó Súilleabháin and David Downes will accept the piano.

Read more about this topic:  Irish Folk Songs

Famous quotes containing the words instruments, traditional, irish and/or music:

    Fashionable women regard themselves, and are regarded by men, as pretty toys or as mere instruments of pleasure; and the vacuity of mind, the heartlessness, the frivolity which is the necessary result of this false and debasing estimate of women, can only be fully understood by those who have mingled in the folly and wickedness of fashionable life ...
    Sarah M. Grimke (1792–1873)

    We should have an army so organized and so officered as to be capable in time of emergency, in cooperation with the National Militia, and under the provision of a proper national volunteer law, rapidly to expand into a force sufficient to resist all probable invasion from abroad and to furnish a respectable expeditionary force if necessary in the maintenance of our traditional American policy which bears the name of President Monroe.
    William Howard Taft (1857–1930)

    O Paddy dear, an’ did ye hear the news that’s goin’ round?
    The shamrock is by law forbid to grow on Irish ground!
    No more Saint Patrick’s Day we’ll keep, his colour can’t be seen,
    For there’s a cruel law agin the wearin’ o’ the Green!
    —Unknown. The Wearing of the Green (l. 37–40)

    We may live without poetry, music and art;
    We may live without conscience, and live without heart;
    We may live without friends; we may live without books;
    But civilized man cannot live without cooks.
    Owen Meredith (1831–1891)