Style
| "Into the Wild did occasionally remind me of the Harry Potter books, both in writing style and content. Rusty forms a firm friendship with an apprentice (warrior in training, more than six months old) called Graypaw, a longhaired solid grey tom. Graypaw adds the laughter to what is, when you really think about it, a rather gritty story. This friendship reminded me strongly of Harry on Ron when they first met in the Philosopher’s Stone. Cats such as Bluestar and Yellowfang form the older authority figures. These two characters reminded me of Dumbledore and Snape (though not too closely)." |
| —A review from Fantasy Book Review comparing Into the Wild and the Harry Potter series by J.K. Rowling. Kate Cary describes the voice as their natural writing style.
The story is told in a third person po of view following the protagonist Firepaw. The narration stays with Firepaw until the next series, Warriors: The New Prophecy, in which the point of view alternates between cats since the authors felt that "we'd really told Firestar's story, and so we wanted to get a fresh viewpoint". |
The style of the book has also been compared to the Redwall series by Brian Jacques. The Plain Dealer wrote that the book "is patterned in the style of classics by J.R.R. Tolkien or Brian Jacques". While School Library Journal recommended the book to Redwall fans, the reviewer still felt the style wasn't as elegant.
Read more about this topic: Into The Wild (Warriors)
Famous quotes containing the word style:
“The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”
—Helen Hayes (1900–1993)
“As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.”
—Henry David Thoreau (1817–1862)
“I am so tired of taking to others
translating my life for the deaf, the blind,
the “I really want to know what your life is like without giving up any of my privileges
to live it” white women
the “I want to live my white life with Third World women’s style and keep my skin
class privileges” dykes”
—Lorraine Bethel, African American lesbian feminist poet. “What Chou Mean We, White Girl?” Lines 49-54 (1979)