International Gay Rodeo Association

The International Gay Rodeo Association (IGRA), founded in 1985, is the sanctioning body for gay rodeos held throughout the United States and Canada. They are the largest group coordinating rodeo events specifically welcoming lesbian, gay, bisexual, transgender (LGBT) as well as heterosexual participants and spectators. IGRA is composed of many regional gay rodeo associations, and sanctions a season of rodeo events which culminates in an annual World Gay Rodeo Finals. IGRA events are intended to allow all competitors, regardless of sexual and gender identity, to compete in rodeo sports without discrimination. The organization helps spread appreciation for Western culture and the sport of rodeo, while serving as a fundraising vehicle benefiting many charitable organizations.

Competitors compete for prize money and the title of All Around Cowboy and Cowgirl at each rodeo. The winners of each event receive trophy buckles designed by the hosting association. At season's end the contestants with the highest points in each event receive invitations to the World Gay Rodeo Finals presented by IGRA. The event was renamed in 2009 from the previous "Rodeo Finals" moniker it held from its onset in Hayward, California.

The original intent of these rodeos was and still remains fundraising. The money raised at the rodeo is donated to the designated charities of each association. While highly competitive and structured, rodeos still serve the primary purpose of being fundraisers. In total IGRA and all the associated associations have donated much money in furthering the individual causes of all charities that are benefactors of rodeo funds.

In 2010, the IGRA archives dating from 1975 were deposited in the library collection of the Autry National Center in Griffith Park, Los Angeles, which also houses the Museum of the American West.

Read more about International Gay Rodeo Association:  History

Famous quotes containing the words gay and/or association:

    Fill it up. I take as large draughts of liquor as I did of love. I hate a flincher in either.
    —John Gay (1685–1732)

    It is not merely the likeness which is precious ... but the association and the sense of nearness involved in the thing ... the fact of the very shadow of the person lying there fixed forever! It is the very sanctification of portraits I think—and it is not at all monstrous in me to say ... that I would rather have such a memorial of one I dearly loved, than the noblest Artist’s work ever produced.
    Elizabeth Barrett Browning (1806–1861)