In filmmaking, internal rhythm is created by whatever appears or occurs within the shot of a moving picture. It can change within a scene (film) and from scene to scene. In Citizen Kane, for instance, the internal rhythm of the scene in which Kane, Leland, Bernstein, and the movers take over the offices of the Inquirer differs from the rhythm of the scene in which Kane demolishes Susan's bedroom or from the scene in which Kane and Susan spend an evening at home at Xanadu.
The scene in the newspaper office starts out slowly and quietly, but the pace is increased until the rhythm of the action is frantic. The demolition of Susan's bedroom begins slowly, becomes hysterical, but slows again when Charles comes across Susan's snow-scene paper-weight. The rhythm of the scene between Kane and Susan at home is heavy and static, yet tense.
Read more about Internal Rhythm: Elements Used To Establish Internal Rhythm
Famous quotes containing the words internal and/or rhythm:
“The burning of rebellious thoughts in the little breast, of internal hatred and opposition, could not long go on without slight whiffs of external smoke, such as mark the course of subterranean fire.”
—Harriet Beecher Stowe (1811–1896)
“Protestantism came and gave a great blow to the religious and ritualistic rhythm of the year, in human life. Non-conformity almost finished the deed.... Mankind has got to get back to the rhythm of the cosmos, and the permanence of marriage.”
—D.H. (David Herbert)