Intelligent dance music (commonly IDM) is an electronic music genre that emerged in the early 1990s. The genre was originally influenced by developments in electronic dance music (EDM) such as Detroit Techno and various breakbeat styles that were emerging in the UK at that time. Stylistically, IDM tended to rely upon individualistic experimentation rather than adhering to musical characteristics associated with specific styles of EDM. The range of post-techno styles to emerge in the early 1990s were described variously as art techno, ambient techno, intelligent techno, and electronica. In the United States, the latter term is now used by the music industry as a catchall to describe EDM and its many derivatives.
The term IDM is said to have originated in the United States in 1993 with the formation of the IDM list, an electronic mailing list originally chartered for the discussion of music by (but not limited to) a number of prominent English artists, especially those appearing on a 1992 Warp Records compilation called Artificial Intelligence.
Usage of the term "Intelligent Dance Music" has been criticised by electronic musicians such as Aphex Twin and is seen by artists such as Mike Paradinas as being peculiar to the U.S.
Famous quotes containing the words intelligent, dance and/or music:
“Every disastrous accident alarms us, and sets us on enquiries concerning the principles whence it arose: Apprehensions spring up with regard to futurity: And the mind, sunk into diffidence, terror, and melancholy, has recourse to every method of appeasing those secret intelligent powers, on whom our fortune is supposed entirely to depend.”
—David Hume (1711–1776)
“When we were at school we were taught to sing the songs of the Europeans. How many of us were taught the songs of the Wanyamwezi or of the Wahehe? Many of us have learnt to dance the rumba, or the cha cha, to rock and roll and to twist and even to dance the waltz and foxtrot. But how many of us can dance, or have even heard of the gombe sugu, the mangala, nyang’umumi, kiduo, or lele mama?”
—Julius K. Nyerere (b. 1922)
“If mass communications blend together harmoniously, and often unnoticeably, art, politics, religion, and philosophy with commercials, they bring these realms of culture to their common denominator—the commodity form. The music of the soul is also the music of salesmanship. Exchange value, not truth value, counts.”
—Herbert Marcuse (1898–1979)