Infant Jesus of Prague - History

History

The exact origin of the Infant Jesus statue is not known, but historical sources point to a small 19 inch (48 cm) high sculpture of the Holy Child with a bird in his right hand presently located in the Cistercian monastery of Santa Maria de la Valbonna in Asturias, Spain which was carved around the year 1340. Many other Infant Jesus sculptures were also carved by famous masters throughout Europe in the Middle Ages. Often found in early medieval work, the significance of the bird symbolizes either a soul or the Holy Spirit.

Its earliest history can be traced back to Prague in the year 1628 when the small, 19-inch (48 cm) high, wooden and coated wax statue of the Infant Jesus was given by Princess Polyxena von Lobkowicz (1566–1642) to the Discalced Carmelites, to whom she had become greatly attached. The princess had received the statue as a wedding gift (1603) from her mother, María Manrique de Lara y Mendoza, a Spanish noblewoman, to whom it had been a wedding gift in Spain (1555) and who had brought it to Bohemia. An old legend in the Lobkowicz family insists that Doña María had been given the statue by Saint Teresa of Avila herself.

The statue first appeared in 1556, when Maria Manriquez de Lara brought the image to Bohemia as an wedding heirloom to Czech nobleman Vratislav of Pernstyn. The statue's raised two fingers raised in a blessing gesture symbolizes the two natures of Jesus Christ and the three folded fingers represent the Holy Trinity. Princess Polyxena inherited the statue from her mother after death. In 1628, Princess Polyxena von Lobkowicz presented the statue to the Carmelite friars and instructed them to venerate the image.

Upon presenting it, the pious princess Polyxena is said to have uttered a prophetic statement to the religious: "Venerable Fathers, I bring you my dearest possession. Honour this image and you shall never want". The statue was placed in the oratory of the monastery of Our Lady of Victory, Prague, where special devotions to Jesus were offered before it twice a day. Carmelite novices voluntarily vow themselves to poverty, and here they professed their poverty in the presence of the Divine Infant.

Upon hearing of the Carmelites' devotions and needs, the Emperor Ferdinand II of the House of Habsburg sent along 2,000 Florins and a monthly stipend for their support.

In 1630, the Carmelite novitiate was transferred to Munich. With the transfer of novices, Prague lost its most ardent devotees of the Infant. Disturbances in Bohemia due to the Thirty Years War brought an end to the special devotions, and on November 15, 1631, the army of King Gustavus Adolphus of Sweden took possession of Bohemia's capital city. The Carmelite friary was plundered and the image of the Infant of Prague was thrown into a pile of rubbish behind the altar. Here it lay forgotten, its hands broken off, for seven years, until it was found again in 1637 by Father Cyrillus and placed in the church's oratory. One day, while praying before the statue, Father Cyrillus claimed to have heard a voice say, "Have pity on me, and I will have pity on you. Give me my hands, and I will give you peace. The more you honor me, the more I will bless you." Since then, the statue has remained in Prague and has drawn many devotees worldwide to go and honor the Holy Child. Claims of blessings, favors and miraculous healings have been made by many who petitioned before the Infant Jesus.

In 1739, the Carmelites of the Austrian Province formed a special devotion apart from their regular apostolate. In 1741, the statue was moved to the epistle side off the church of Our Lady of Victory.

Various regal vestments have been given to the statue. In 1713 they began to be changed according to the liturgical norms. Among of the vestments donated were those donated by Empress Maria Theresa and Emperor Ferdinand I of Austria which are preserved to this day.

Since 1788, the statue's raised two fingers has worn two rings, as a thanksgiving gift by a noble Czech family for healing their daughter, along with its golden blond hair. Some earlier records indicate that the original wig was possibly white.

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