Music
| Indra | ||||
|---|---|---|---|---|
Album cover |
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| Soundtrack album by Mani Sharma | ||||
| Recorded | 2002 | |||
| Genre | Feature film soundtrack | |||
| Length | 31:52 | |||
| Language | Telugu | |||
| Label | Aditya Music | |||
| Producer | Mani Sharma | |||
| Mani Sharma chronology | ||||
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The audio of Indra was released on 14th June 2002 evening at a neatly erected set in the first floor of Annapurna Studios. This event was a private affair between Chiru fans and Vijayanthi Movie unit. The celebrities graced for this occasion are Paruchuri brothers (dialogue writers), Aswini Dutt (producer), Chinni Krishna (story writer), VSR Swamy (cinematographer), Sirivennela Seeta Rama Sastry (lyrics writer) and Chiranjeevi. The function started off with the welcome words by Raghu Kunche and Suma. Gemini TV covered this event and it was telecasted as a 30-minute capsule on Gemini TV. Chiranjeevi selected a coupon from the lucky dip box and called out the lucky fan on stage. Chiranjeevi opened the audio box and handed over the first cassette to that fan. Being an elated fan he is, he tried touching the feet of Chiranjeevi. But Chiranjeevi stopped him. The audio hit the market on Monday (17th June 2002) and was a Hit.
| Tracklist | |||||
|---|---|---|---|---|---|
| No. | Title | Lyrics | Singer(s) | Length | |
| 1. | "Bham Bham Bole" | Sirivennela Sitaramasastri | Hariharan, Shankar Mahadevan | 6:08 | |
| 2. | "Ammadu Appachi" | Veturi Sundararama Murthy | S. P. Balasubramanyam & Kalpana | 4:44 | |
| 3. | "Radhe Govinda" | Bhuvanachandra | Udit Narayan & K. S. Chitra | 4:50 | |
| 4. | "Ghallu Ghallu" | Sirivennela Sitaramasastri | S. P. Balasubramanyam, Mallikarjun | 5:52 | |
| 5. | "Dayi Dayi Damma" | Sirivennela Sitaramasastri | Kay Kay & Mahalakshmi Iyer | 5:20 | |
| 6. | "Ayyo Ayyo Ayyayyo" | Kulasekhar | Karthik & Usha | 4:58 | |
| Total length: | 31:52 | ||||
Read more about this topic: Indra (film)
Famous quotes containing the word music:
“If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
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