Film
- Racing Hearts (1922) - silent film featuring actual drivers Edward Heffman, Jerry Wunderlich, Jimmy Murphy, Tommy Milton and Ralph DePalma.
- Speedway (1929) - starring William Haines, Anita Page. Bill Whipple (Haines) is a cocky racer and mechanic, on the track, and chases Patricia (Page) around longing to impress her.
- The Crowd Roars (1932) - starring James Cagney, Joan Blondell
- Speed (1936) - starring Jimmy Stewart
- Indianapolis Speedway (1939) - Also known as: Devil on Wheels, remake of The Crowd Roars
- The Big Wheel (1949) - starring Mickey Rooney Thomas Mitchell. Racer Billy Coy (Rooney) is the son of a great auto racer who was killed at the Indianapolis 500. He is branded a daredevil after causing the death of another driver, and strains to rebuild his career and personal life.
- To Please a Lady (1950) - starring Clark Gable and Barbara Stanwyck. Columnist Regina Forbes (Stanwyck) writes an article about driver Mike Brannan (Gable) claiming he is reckless and blames him for the death of another driver. Brannan then tries to clean up his act, and at the same time, win Regina's love.
- Roar of the Crowd (1953) - starring Howard Duff, Helene Stanley. Racer Johnny Tracy (Duff) wants to race at the Indianapolis 500, but his girlfriend wants him to retire. He agrees to retire after the race, but gets injured in a crash. He then works to get back to the track, and get her to change her mind about his retirement.
- Winning (1969) - starring Paul Newman, Joanne Woodward, Robert Wagner. Frank Capua (Newman) is a rising star on the race circuit who dreams of winning the big one - the Indianapolis 500. But to get there he runs the risk of losing his wife Elora (Woodward) to his rival, Luther Erding (Wagner), and strains the relationship with his stepson.
- Turbo (2013) - upcoming computer-animated film starring Ryan Reynolds. Turbo is a snail who dreams of being the greatest racer in the world.
Read more about this topic: Indianapolis 500 In Film And Media
Famous quotes containing the word film:
“All the old supports going, gone, this man reaches out a hand to steady himself on a ledge of rough brick that is warm in the sun: his hand feeds him messages of solidity, but his mind messages of destruction, for this breathing substance, made of earth, will be a dance of atoms, he knows it, his intelligence tells him so: there will soon be war, he is in the middle of war, where he stands will be a waste, mounds of rubble, and this solid earthy substance will be a film of dust on ruins.”
—Doris Lessing (b. 1919)
“[Film noir] experiences periodic rebirth and rediscovery. Whenever we have any moment of deep societal rift or disruption in America, one of the ways we can express it is through the ideas and behavior in film noir.”
—John Briley (b. 1925)
“This film is apparently meaningless, but if it has any meaning it is doubtless objectionable.”
—British Board Of Film Censors. Quoted in Halliwell’s Filmgoer’s Companion (1984)