Indianapolis 500 in Film and Media - Film

Film

  • Racing Hearts (1922) - silent film featuring actual drivers Edward Heffman, Jerry Wunderlich, Jimmy Murphy, Tommy Milton and Ralph DePalma.
  • Speedway (1929) - starring William Haines, Anita Page. Bill Whipple (Haines) is a cocky racer and mechanic, on the track, and chases Patricia (Page) around longing to impress her.
  • The Crowd Roars (1932) - starring James Cagney, Joan Blondell
  • Speed (1936) - starring Jimmy Stewart
  • Indianapolis Speedway (1939) - Also known as: Devil on Wheels, remake of The Crowd Roars
  • The Big Wheel (1949) - starring Mickey Rooney Thomas Mitchell. Racer Billy Coy (Rooney) is the son of a great auto racer who was killed at the Indianapolis 500. He is branded a daredevil after causing the death of another driver, and strains to rebuild his career and personal life.
  • To Please a Lady (1950) - starring Clark Gable and Barbara Stanwyck. Columnist Regina Forbes (Stanwyck) writes an article about driver Mike Brannan (Gable) claiming he is reckless and blames him for the death of another driver. Brannan then tries to clean up his act, and at the same time, win Regina's love.
  • Roar of the Crowd (1953) - starring Howard Duff, Helene Stanley. Racer Johnny Tracy (Duff) wants to race at the Indianapolis 500, but his girlfriend wants him to retire. He agrees to retire after the race, but gets injured in a crash. He then works to get back to the track, and get her to change her mind about his retirement.
  • Winning (1969) - starring Paul Newman, Joanne Woodward, Robert Wagner. Frank Capua (Newman) is a rising star on the race circuit who dreams of winning the big one - the Indianapolis 500. But to get there he runs the risk of losing his wife Elora (Woodward) to his rival, Luther Erding (Wagner), and strains the relationship with his stepson.
  • Turbo (2013) - upcoming computer-animated film starring Ryan Reynolds. Turbo is a snail who dreams of being the greatest racer in the world.

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    Film is more than the twentieth-century art. It’s another part of the twentieth-century mind. It’s the world seen from inside. We’ve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if there’s anything about us more important than the fact that we’re constantly on film, constantly watching ourselves.
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