History
Although Greek mathematician and engineer Heron of Alexandria is noted as the first to have conceived these numbers, Rafael Bombelli first set down the rules for multiplication of complex numbers in 1572. The concept had appeared in print earlier, for instance in work by Gerolamo Cardano. At the time, such numbers were poorly understood and regarded by some as fictitious or useless, much as zero and the negative numbers once were. Many other mathematicians were slow to adopt the use of imaginary numbers, including René Descartes, who wrote about them in his La Géométrie, where the term imaginary was used and meant to be derogatory. The use of imaginary numbers was not widely accepted until the work of Leonhard Euler (1707–1783) and Carl Friedrich Gauss (1777–1855). The geometric significance of complex numbers as points in a plane was first described by Caspar Wessel (1745–1818).
In 1843 a mathematical physicist, William Rowan Hamilton, extended the idea of an axis of imaginary numbers in the plane to a three-dimensional space of quaternion imaginaries.
With the development of quotient rings of polynomial rings, the concept behind an imaginary number became more substantial, but then one also finds other imaginary numbers such as the j of tessarines which has a square of +1. This idea first surfaced with the articles by James Cockle beginning in 1848.
Read more about this topic: Imaginary Number
Famous quotes containing the word history:
“Don’t give your opinions about Art and the Purpose of Life. They are of little interest and, anyway, you can’t express them. Don’t analyse yourself. Give the relevant facts and let your readers make their own judgments. Stick to your story. It is not the most important subject in history but it is one about which you are uniquely qualified to speak.”
—Evelyn Waugh (1903–1966)
“America is, therefore the land of the future, where, in the ages that lie before us, the burden of the World’s history shall reveal itself. It is a land of desire for all those who are weary of the historical lumber-room of Old Europe.”
—Georg Wilhelm Friedrich Hegel (1770–1831)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)