Image Analogy

An "image analogy" is a method of creating an image filter automatically from training data. In an image analogy process, the transformation between two images A and A' is "learned". Later, given a different image B, it's "analogy" image B' can be generated based on the learned transformation.

The image analogy method has been used to simulate many types of image filters:

  • Toy filters, such as blurring or "embossing."
  • Texture synthesis from an example texture.
  • Super-resolution, inferring a high-resolution image from a low-resolutinon source.
  • Texture transfer, in which images are "texturized" with some arbitrary source texture.
  • Artistic filters, in which various drawing and painting styles, including oil, pastel, and pen-and-ink rendering, are synthesized based on scanned real-world examples.
  • Texture-by-numbers, in which realistic scenes, composed of a variety of textures, are created using a simple "painting" interface.
  • Image colorization, where color is automatically added to grayscale images.

Famous quotes containing the words image and/or analogy:

    “Woman is the future of man. That means that the world which was once formed in man’s image will now be transformed to the image of woman. The more technical and mechanical, cold and metallic it becomes, the more it will need the kind of warmth that only the woman can give it. If we want to save the world, we must adapt to the woman, let ourselves be led by the woman, let ourselves be penetrated by the Ewigweiblich, the eternally feminine!”
    —Milan Kundera (b. 1929)

    “The analogy between the mind and a computer fails for many reasons. The brain is constructed by principles that assure diversity and degeneracy. Unlike a computer, it has no replicative memory. It is historical and value driven. It forms categories by internal criteria and by constraints acting at many scales, not by means of a syntactically constructed program. The world with which the brain interacts is not unequivocally made up of classical categories.”
    —Gerald M. Edelman (b. 1928)