Ilya Repin - Gallery

Gallery

  • Ivan the Terrible and his son Ivan on Friday, November 16, 1581, 1870–1873 (Tretyakov Gallery, Moscow)

  • Barge Haulers on the Volga, 1870–73 (State Russian Museum, St. Petersburg)

  • Sadko in the Underwater Kingdom, 1876 (State Russian Museum)

  • Apples and Leaves, 1879 (State Russian Museum)

  • Portrait of Dmitry Ivanovich Mendeleev wearing the Edinburgh University professor robe

  • Party 1883

  • Grand Duke Choosing His Bride 1885

  • Portrait of Leo Tolstoy 1887

  • Saint Nicholas of Myra in Lycia 1889

  • Portrait of Baroness Varvara Ivanovna Ikskul von Hildenbandt 1889 (Tretyakov Gallery)

  • Portrait of Leo Tolstoy 1893

  • Portrait of writer Alexander Zhirkevich 1894

  • Wedding of Nicholas II and Alexandra Fyodorovna, 1894

  • Ceremonial session of the State Council 1900

  • Composer Modest Mussorgsky

  • Anton Rubinstein

  • Painter's daughter

  • Konstantin Pobedonostsev (sketch)

  • Sophia Alekseyevna of Russia

  • Afanasy Fet

  • Vladimir Stasov

  • Pavel Tretyakov

  • Aleksey Pisemsky

  • Pushkin Reciting His Poem Before Old Derzhavin (1911)

  • 17 October 1905, 1906–1911

  • Emperor Nicholas II (sketch)

  • Protodeacon, 1877 (Tretyakov Gallery)

  • Portrait of Professor Ivanov, 1882

  • Portrait of Tolstoy in peasant dress, 1901

  • "Muzhik with an evil eye" (1877), portrait of I.F. Radov, the artist's godfather.

  • Portrait of Isaak Brodsky

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Famous quotes containing the word gallery:

    “Each morning the manager of this gallery substituted some new picture, distinguished by more brilliant or harmonious coloring, for the old upon the walls.”
    —Henry David Thoreau (1817–1862)

    “It doesn’t matter that your painting is small. Kopecks are also small, but when a lot are put together they make a ruble. Each painting displayed in a gallery and each good book that makes it into a library, no matter how small they may be, serves a great cause: accretion of the national wealth.”
    —Anton Pavlovich Chekhov (1860–1904)

    “I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de’ Medici placed beside a milliner’s doll.”
    —Herman Melville (1819–1891)