Career
While his best-known work is featured in New X-Men, he has a very diverse repertoire, moving between traditional pencils and inks to fully painted panels. Because of his speed as an artist, at his peak, he was producing artwork for three or four monthly books at the same time. However, as a result, he has attracted some criticism for the quality of his art, especially from fans.
His artistic output has been relatively light in recent years. He was announced to be joining Chris Claremont (with whom he has collaborated on X-Treme X-Men) on a 2004 relaunch of Excalibur, but was replaced by Aaron Lopresti before its debut, even though he was already well into drawing the second issue. He has suggested that it may have had to do with disagreements with management.
Read more about this topic: Igor Kordey
Famous quotes containing the word career:
““Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)