Background and Recording
In 1991, The Offspring teamed up with producer Thom Wilson to record the Baghdad 7" EP. This EP was instrumental to the band's signing with Epitaph Records. Wilson had been trying to get The Offspring to switch to Epitaph, a label run by Bad Religion guitarist Brett Gurewitz. Gurewitz felt that The Offspring was just not quite pronounced enough for his label, but Baghdad convinced him to give the band a shot. Thanks to the success of the Baghdad, The Offspring managed to record their second full-length album. The band entered two recording studios, Westbeach Recorders and Track Record, in June 1992 to record Ignition, in a similar fashion to the production schedule for The Offspring and Baghdad, which were both recorded in just one month (March 1989 and February 1991 respectively).
Some of the material ("Take It Like a Man", which was originally recorded in 1991 for a Flipside magazine compilation, The Big One, and "Get It Right", which appeared on Baghdad) are updated versions of songs that were recorded around The Offspring/Baghdad-era. The album also had one outtake, "Mission from God", which was released on the compilation album Punk-O-Rama Vol. 10 in 2005.
Read more about this topic: Ignition (The Offspring album)
Famous quotes containing the words background and, background and/or recording:
“... every experience in life enriches one’s background and should teach valuable lessons.”
—Mary Barnett Gilson (1877–?)
“They were more than hostile. In the first place, I was a south Georgian and I was looked upon as a fiscal conservative, and the Atlanta newspapers quite erroneously, because they didn’t know anything about me or my background here in Plains, decided that I was also a racial conservative.”
—Jimmy Carter (James Earl Carter, Jr.)
“Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.”
—Jane Heap (c. 1880–1964)