Identifying Marks On Euro Coins - National Identifying Marks of Euro Coins

National Identifying Marks of Euro Coins

As per a recommendation defined by the Economic and Financial Affairs Council of the European Union, the national designs of each member's euro coin should contain a national identification in the form of spelling or abbreviation of the country's name. Of the fifteen members of the Eurozone at the time these recommendations were made, five national designs — those of Austria, Belgium, Finland, Germany and Greece — did not meet the criteria outlined. Of these five, two (Finland in 2007 and Belgium in 2008) have changed or amended their design to follow these recommendations, and the other three are expected to follow suit in the coming years.

National identifying marks on euro coins by country
Country Type Description Image
Austria Symbol Flag of Austria
Belgium Symbol Monogram of King Albert II
Abbreviation BE (Belgium)
Cyprus Text KYΠPOΣ/KIBRIS (in both Greek and Turkish)
Estonia Text EESTI (Estonia)
Finland Abbreviation FI (Finland)
France Abbreviation stylized RF (République française)
Germany none eagle
Greece none
Ireland Text éıʀe Harp
Italy Abbreviation stylized RI (Repubblica Italiana)
Luxembourg Text LËTZEBUERG (Luxembourg written in the national Luxembourgian language)
Malta Text MALTA
Monaco Text MONACO
Netherlands Text BEATRIX KONINGIN DER NEDERLANDEN (Beatrix, Queen of the Netherlands)
Portugal Text PORTUGAL
San Marino Text SAN MARINO
Slovakia Text SLOVENSKO
Slovenia Text SLOVENIJA
Spain Text ESPAÑA
Vatican City Text CITTÀ DEL VATICANO (Vatican City)

Read more about this topic:  Identifying Marks On Euro Coins

Famous quotes containing the words national, identifying, marks and/or coins:

    You are, or you are not the President of The National University Law School. If you are its President I wish to say to you that I have been passed through the curriculum of study of that school, and am entitled to, and demand my Diploma. If you are not its President then I ask you to take your name from its papers, and not hold out to the world to be what you are not.
    Belva Lockwood (1830–1917)

    And the serial continues:
    Pain, expiation, delight, more pain,
    A frieze that lengthens continually, in the lucky way
    Friezes do, and no plot is produced,
    Nothing you could hang an identifying question on.
    John Ashbery (b. 1927)

    I open with a clock striking, to beget an awful attention in the audience—it also marks the time, which is four o’clock in the morning, and saves a description of the rising sun, and a great deal about gilding the eastern hemisphere.
    Richard Brinsley Sheridan (1751–1816)

    No Time, spoke the clocks, no God, rang the bells,
    I drew the white sheet over the islands
    And the coins on my eyelids sang like shells.
    Dylan Thomas (1914–1953)