Icon Productions - Films

Films

  • Hamlet (1990)
  • Forever Young (1992)
  • The Man Without a Face (1993)
  • Airborne (1993)
  • Maverick (1994)
  • Immortal Beloved (1994)
  • Braveheart (1995)
  • Dad and Dave: On Our Selection (1995)
  • Anna Karenina (1997)
  • 187 (1997)
  • Fairy Tale: A True Story (1997)
  • An Ideal Husband (1999)
  • Ordinary Decent Criminal (1999)
  • Felicia's Journey (1999)
  • Payback (1999)
  • Kevin & Perry Go Large (2000)
  • The Million Dollar Hotel (2000)
  • Bless the Child (2000)
  • What Women Want (2000)
  • Thomas and the Magic Railroad (2000)
  • The Miracle Maker (2000) (as Icon Entertainment International) (with the participation of)
  • We Were Soldiers (2002)
  • The Singing Detective (2003)
  • The Passion of the Christ (2004)
  • Paparazzi (2004)
  • Apocalypto (2006)
  • Romance & Cigarettes (2007) (as Icon Entertainment International) (in association with)
  • Bridge to Terabithia (2007)
  • Seraphim Falls (2007)
  • Black Sheep (2007)
  • Butterfly on a Wheel (2007)
  • The Black Balloon (2008) (as Icon Entertainment International) (presents)
  • Dragon Hunters (2008) (as Icon Entertainment International)
  • Push (2009)
  • Mary and Max (2009)
  • Triangle (2009) (as Icon Entertainment International)
  • Infestation (2009)
  • Nowhere Boy (2009)
  • Edge of Darkness (2010)
  • The Way (2010)
  • Coriolanus (2011)
  • Get the Gringo (2012)

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Famous quotes containing the word films:

    “Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.”
    —Susan Sontag (b. 1933)

    “The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.”
    —Jean-Luc Godard (b. 1930)

    “Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
    —David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)