Reception
Disc jockey John Peel, in his narration to the BBC documentary The Artist Formerly Known as Captain Beefheart, called Ice Cream for Crow one of Captain Beefheart's best albums.
Ned Raggett of Allmusic would positively call the album "a last entertaining blast of wigginess from one of the few truly independent artists in late 20th century pop music, with humor, skill, and style all still intact", with The Magic Band "turning out more choppy rhythms, unexpected guitar lines, and outré arrangements, Captain Beefheart lets everything run wild as always, with successful results". Raggett says that Beefheart's "entertainingly outrageous" spoken word performances, are successfully cohered with The Magic Band's "insanely great arrangement". Robert Christgau would give the album an A–, saying that "Ornette or no Ornette, the Captain's sprung delta atonality still provides surprising and irreducible satisfactions, but his poetry repeats itself more than his ideas warrant. Any surrealist ecologist who preaches the same sermon every time out is sure to provoke hostile questions from us concrete-jungle types".
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Famous quotes containing the word reception:
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)