Ian McEwan - Career

Career

McEwan's first published work was a collection of short stories, First Love, Last Rites (1975), which won the Somerset Maugham Award in 1976. He achieved notoriety in 1979 when the BBC suspended production of his play Solid Geometry because of its supposed obscenity. His second collection of short stories, In Between the Sheets, was published in 1978. The Cement Garden (1978) and The Comfort of Strangers (1981) were his two earliest novels, both of which were adapted into films. The nature of these works caused him to be nicknamed "Ian Macabre". These were followed by The Child in Time (1987), winner of the 1987 Whitbread Novel Award; The Innocent (1990); and Black Dogs (1992). McEwan has also written two children's books, Rose Blanche (1985) The Daydreamer (1994).

His 1997 novel, Enduring Love, about the relationship between a science writer and a stalker, was popular with critics, although it was not shortlisted for the Booker Prize. It was adapted into a film in 2004. In 1998, he won the Man Booker Prize for Amsterdam. His next novel, Atonement (2001), received considerable acclaim; Time magazine named it the best novel of 2002, and it was shortlisted for the Booker Prize. In 2007, the critically acclaimed movie Atonement, directed by Joe Wright and starring Keira Knightley and James McAvoy, was released in cinemas worldwide. His next work, Saturday (2005), follows an especially eventful day in the life of a successful neurosurgeon. Saturday won the James Tait Black Memorial Prize for 2005, and his novel On Chesil Beach (2007) was shortlisted for the 2007 Booker Prize. McEwan has also written a number of produced screenplays, a stage play, children's fiction, an oratorio and a libretto titled For You with music composed by Michael Berkeley.

Solar, was published by Jonathan Cape and Doubleday in March 2010. In June 2008 at the Hay Festival, McEwan gave a surprise reading of this work-in-progress. The novel concerns "a scientist who hopes to save the planet." from the threat of climate change, with inspiration for the novel coming from a Cape Farewell expedition McEwan made in 2005 in which "artists and scientists...spent several weeks aboard a ship near the north pole discussing environmental concerns". McEwan noted "The novel's protagonist Michael Beard has been awarded a Nobel prize for his pioneering work on physics, and has discovered that winning the coveted prize has interfered with his work". He said that the work was not a comedy: "I hate comic novels; it's like being wrestled to the ground and being tickled, being forced to laugh", instead, that it had extended comic stretches. McEwan's twelfth novel, Sweet Tooth, is historical in nature and set in the 1970s., and was published in late August 2012. In an interview with the Scotsman newspaper to coincide with publication, McEwan revealed that the impetus for writing Sweet Tooth had been " a way in which I can write a disguised autobiography”. McEwan revealed that the film rights to Sweet Tooth were bought by Working Title Films - the company that brought Atonement to the screen - in an interview with the Wall Street Journal in November of 2012.

In 2006 he was accused of plagiarism; specifically that a passage in Atonement (2001) closely echoed a passage from a memoir, No Time for Romance, published in 1977 by Lucilla Andrews. McEwan acknowledged using the book as a source for his work. McEwan had included a brief note at the end of Atonement, referring to Andrews’s autobiography, among several other works. Writing in The Guardian in November 2006, a month after Andrews' death, McEwan professed innocence of plagiarism while acknowledging his debt to the author. Several authors defended him, including John Updike, Martin Amis, Margaret Atwood, Thomas Keneally, Kazuo Ishiguro, Zadie Smith, and Thomas Pynchon.

Read more about this topic:  Ian McEwan

Famous quotes containing the word career:

    I’ve been in the twilight of my career longer than most people have had their career.
    Martina Navratilova (b. 1956)

    I began my editorial career with the presidency of Mr. Adams, and my principal object was to render his administration all the assistance in my power. I flattered myself with the hope of accompanying him through [his] voyage, and of partaking in a trifling degree, of the glory of the enterprise; but he suddenly tacked about, and I could follow him no longer. I therefore waited for the first opportunity to haul down my sails.
    William Cobbett (1762–1835)

    John Brown’s career for the last six weeks of his life was meteor-like, flashing through the darkness in which we live. I know of nothing so miraculous in our history.
    Henry David Thoreau (1817–1862)