Production
Originally considered for Gladys Knight & the Pips and later for Diana Ross, as "I Wanna Be Free", "I Want You Back" explores the theme of a lover who decides that he was too hasty in dropping his partner. An unusual aspect about "I Want You Back" was that its main lead vocal was performed by a preteen, Michael Jackson.
The single was a notable first in many respects: it was the first Jackson 5 single to be released on Motown the first of four Jackson 5 number-ones released in a row (the others being "ABC", "The Love You Save", and "I'll Be There"), and the first song written and produced by The Corporation, a team comprising Motown chief Berry Gordy, Freddie Perren, Alphonzo Mizell, and Deke Richards.
"I Want You Back" was also the first Jackson 5 song recorded in Los Angeles, California; the quintet had previously been recording Bobby Taylor-produced covers, including "Who's Lovin' You", the B-side to "I Want You Back", at Hitsville U.S.A. in Detroit, Michigan.
Although Gladys Knight and Bobby Taylor of the Vancouvers had been the ones to bring the Jackson brothers to Motown,Motown credited Ross with discovering them, not only to help promote the Jackson 5, but also to help ease Ross' transition into a solo career., a career begun soon after the Jackson 5 became a success.
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Famous quotes containing the word production:
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)
“I really know nothing more criminal, more mean, and more ridiculous than lying. It is the production either of malice, cowardice, or vanity; and generally misses of its aim in every one of these views; for lies are always detected, sooner or later.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)