I Walked With A Zombie - Reception

Reception

While I Walked with a Zombie was declared to be "a dull, disgusting exaggeration of an unhealthy, abnormal concept of life" by The New York Times in 1943, critics later called it "intelligent" (William K. Everson), "exceptional" (Leonard Maltin) and "the most elegant" in Lewton's RKO horror series (Tom Milne).

The film's treatment of the supernatural element repeatedly attracted interest among reviewers:

  • "As with all of Val Lewton’s films, I Walked with a Zombie hovers on the deliberate edge of ambiguity between whether the explanation for events is mundane or supernatural. The central belief/doubt ambiguity of the film hovers around the question of whether Jessica is suffering from tropical fever or has been affected by voodoo. The film sits just between rationalism and superstition – its duality plays on the conflict between Western Christendom and Caribbean culture, and between medicine and magic." – Richard Scheib
  • "In belief in the supernatural is but one of many faults in the human character. The script never confirms the reality of Voodoo even when it is clear that the Voodoo masters are controlling the zombie Carre-Four. It's worth noting that Wesley 'falls under the voodoo spell' only after despairing of the hopeless state of affairs at the Hammond house, and sinking into a deep depression. Lewton's theme is that human nature creates Evil -- that unresolved guilt and suspicions from the past dominate the Hammond family's present. Better natures are stifled, starting a chain of human misery that leads to tragedy. The result -- wasted lives and blighted vitality -- is as pervasive as the creeping Voodoo beliefs themselves. " – Glenn Erickson

In 2007, Stylus Magazine named it the fifth best zombie movie of all time.

Read more about this topic:  I Walked With A Zombie

Famous quotes containing the word reception:

    Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.
    Jonathan Swift (1667–1745)

    But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.
    Walter Pater (1839–1894)

    He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!
    Billy Wilder (b. 1906)