Reception
Reviews for the episode were generally favorable. A 2008 review of the episode by Ahsan Haque of IGN was positive, calling the storyline involving Stewie "elaborate creative." He gave the episode a perfect score of ten, calling it one of the most "memorable" episodes in the entire series. Haque went on to note that "the tightly woven and hilarious storyline, combined with a constant barrage of cleverly inserted random jokes, and some truly unique imagery help make this episode one of the finest in the series. This is Family Guy at its best, and definitely sets a very high bar for animated comedy." Robin Pierson of The TV Critic rated the episode a 70 out of 100, making it the highest-rated episode of Family Guy on the site. Pierson described the episode as "A really fun twenty two minutes of television. There are so many jokes to enjoy and they are more focussed than the pilot," in particular praising the Fast Animals, Slow Children sequence.
In 2008, Haque later listed Stewie's plan to freeze broccoli crops as number one on his list of "Stewie's Top 10 Most Diabolical Evil Plans" and placed Peter's idea to pretend the world is a television program by attaching a cardboard cutout of a television set around his waist in fifth place on his list of "Peter Griffin's Top 10 Craziest Ideas".
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Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)