Plot
The Mortmain family is poor but exotic. Cassandra's father is a writer suffering from writer's block who has not published anything since his first book, Jacob Wrestling (a reference to Jacob Wrestling with the Angel), an innovative and "difficult" novel that sold well and made his name, including in America. Ten years before the story begins, he took out a forty-year lease on a dilapidated but beautiful castle, hoping to find either inspiration or isolation there; now, his family is selling off the furniture to buy food.
The widowed Mortmain's second wife, Topaz, is a beautiful artist's model who enjoys communing with nature, sometimes wearing nothing but hip boots. Rose, the elder daughter, is a classic English beauty pining away in the lonely castle, longing for a chance to meet some eligible (and preferably rich) young men; she tells her sister that she wants to live in a Jane Austen novel. Cassandra, the younger daughter and the story's narrator, has literary ambitions and spends a lot of time developing her writing talent by "capturing" everything around her in her journal. Stephen, the handsome, loyal, live-in son of the Mortmain's late cook, and Thomas, the youngest Mortmain child, round out the cast of household characters. Stephen, a "noble soul", is in love with Cassandra, which she finds touching, but a bit awkward; Thomas, a schoolboy, is, like Cassandra, considered "tolerably bright".
Things begin to happen when the Cottons, a wealthy American family, inherit nearby Scoatney Hall and become the Mortmains' new landlords. Cassandra and Rose soon become intrigued by the unmarried brothers, Simon and Neil. The brothers differ considerably in character; Neil, who was raised in California by their father, is a carefree young man who wants to become a rancher in America, while Simon, who grew up in New England with his mother, is scholarly and serious, and loves the English countryside. Simon, the elder brother, is the heir and therefore much wealthier than Neil, so although Rose isn't attracted to him, she decides to marry him if she can, declaring that she'd marry the devil himself to escape the family's poverty.
At their first meeting, the Cottons are amused and interested by the Mortmains; when they pay a call the very next day, however, the inexperienced Rose flirts openly with Simon and makes herself look ridiculous. Both brothers are repelled by this display and, as they walk away, Cassandra overhears them resolving to drop all acquaintance with the Mortmains. After an amusing episode involving a fur coat, however, all is forgiven and the two families become good friends. Rose decides that she really is taken with Simon, and Cassandra and Topaz scheme to get Simon to propose to her. Simon falls in love with Rose and proposes to her, which then sends Rose and Topaz to London with Mrs. Cotton to purchase Rose's wedding trousseau.
One evening, while everyone else is away, Cassandra and Simon spend the evening together, which leads to their kissing, and Cassandra is cast into an emotional tailspin. She becomes obsessed with Simon but suffers feelings of guilt since he is Rose's fiancé. Cassandra now faces many pressures: she must tactfully deflect Stephen's offers of love, and encourage him in his emerging career as a model and movie actor; join forces with Thomas to help their father overcome his writer's block by the drastic (though apparently effective) expedient of imprisoning him in a medieval tower; cope with her own increasing attraction to Simon; and record everything, wittily and winningly, in her journal (as the journal advances, the relationships she depicts become subtler and more problematic).
Meanwhile, unnoticed by anyone but Stephen, Rose and Neil have been falling in love. To conceal their budding romance, they pretend to hate each other. When they eventually elope together, Simon is left heartbroken – Cassandra, hopeful. Before Simon leaves to go back to America, he comes to see Cassandra. In spite of her feelings for him, Cassandra deflects the conversation at a moment when she thinks he may be about to propose to her. The book closes on an ambiguous note, with Cassandra reminding herself that Simon has promised to return, and closing her journal for good by reasserting her love for him.
Read more about this topic: I Capture The Castle
Famous quotes containing the word plot:
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)