Hurwitz's Automorphisms Theorem - The Idea of A Proof and Construction of The Hurwitz Surfaces

The Idea of A Proof and Construction of The Hurwitz Surfaces

By the uniformization theorem, any hyperbolic surface X – i.e., the Gaussian curvature of X is equal to negative one at every point – is covered by the hyperbolic plane. The conformal mappings of the surface correspond to orientation-preserving automorphisms of the hyperbolic plane. By the Gauss-Bonnet theorem, the area of the surface is

A(X) = − 2π χ(X) = 4π(g − 1).

In order to make the automorphism group G of X as large as possible, we want the area of its fundamental domain D for this action to be as small as possible. If the fundamental domain is a triangle with the vertex angles π/p, π/q and π/r, defining a tiling of the hyperbolic plane, then p, q, and r are integers greater than one, and the area is

A(D) = π(1 − 1/p − 1/q − 1/r).

Thus we are asking for integers which make the expression

1 − 1/p − 1/q − 1/r

strictly positive and as small as possible. A remarkable fact is that this minimal value is 1/42, and

1 − 1/2 − 1/3 − 1/7 = 1/42

gives a unique (up to permutation) triple of such integers. This would indicate that the order |G| of the automorphism group is bounded by

A(X)/A(D) ≤ 168(g − 1).

However, a more delicate reasoning shows that this is an overestimate by the factor of two, because the group G can contain orientation-reversing transformations. For the orientation-preserving conformal automorphisms the bound is 84(g − 1).

Read more about this topic:  Hurwitz's Automorphisms Theorem

Famous quotes containing the words idea, proof, construction and/or surfaces:

    Without poets, without artists, men would soon weary of nature’s monotony. The sublime idea men have of the universe would collapse with dizzying speed. The order which we find in nature, and which is only an effect of art, would at once vanish. Everything would break up in chaos. There would be no seasons, no civilization, no thought, no humanity; even life would give way, and the impotent void would reign everywhere.
    Guillaume Apollinaire (1880–1918)

    Right and proof are two crutches for everything bent and crooked that limps along.
    Franz Grillparzer (1791–1872)

    No real “vital” character in fiction is altogether a conscious construction of the author. On the contrary, it may be a sort of parasitic growth upon the author’s personality, developing by internal necessity as much as by external addition.
    —T.S. (Thomas Stearns)

    But ice-crunching and loud gum-chewing, together with drumming on tables, and whistling the same tune seventy times in succession, because they indicate an indifference on the part of the perpetrator to the rest of the world in general, are not only registered on the delicate surfaces of the brain but eat little holes in it until it finally collapses or blows up.
    Robert Benchley (1889–1945)