Career
Huo attended the Beijing Film Academy in the early 1980s as part of the "Fifth Generation" (which also included directors like Zhang Yimou and Chen Kaige). After graduation, he worked as an art director, including on films such as Tian Zhuangzhuang's The Horse Thief (1986). Huo's own career as a director did not begin, however, until 1995 with The Winner and would not achieve true international success until his 1999 film, Postmen in the Mountains. The simple tale of a father and son traveling through the mountains of Hunan delivering mail proved a success in both China, where it eventually won the Golden Rooster for best film, best director, and best actor Teng Rujun, and abroad in foreign festivals. Upon its release in the United States, the film was praised by critics for its sincerity, critic Roger Ebert noted that the film was "so simple and straightforward that its buried emotions catch us a little by surprise." Huo repeated that film's success with his subsequent project, including 2000's A Love of Blueness and 2002's Life Show (which won the Golden Goblet for best film at the Shanghai International Film Festival).
Huo scored another success with his adaptation of author Mo Yan's The White Dog and the Swing, entitled Nuan. The film, starring Guo Xiaodong and Li Jia in the titular role, won the Grand Prix at the Tokyo International Film Festival, as well as another best picture Golden Rooster.
Read more about this topic: Huo Jianqi
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