Reception
The song received positive reviews from contemporary critics. An interview in The Observer newspaper stated that the track "is a cross between New Order and Bruce Springsteen - that should please fans of 'Mr. Brightside'." Chris Williams of Billboard gave a positive review, echoing The Observer's description of "merging a Boss-like melody over a New Order-injected rave-up." He also praised the song for "stretching the soundscape of alternative rock, which has increasingly become difficult to differentiate between mainstream rock". Music Radar complimented the song in their review of Day & Age, saying "A gentle, phased, clicky guitar riff opens this gorgeous nod to the gentle side of '80s new wave." Caryn Ganz with Rolling Stone gave the tune three-and-a-half stars, calling it "delicious." "Human" was voted the Best Song of 2008 by the readers of Rolling Stone.
In 2010, a vote by listeners to UK radio station XFM polled the song at #97 in their poll of the Top 1,000 Song of All Time. In December 2009 it was voted the 25th Best Song Of The Decade by listeners of UK music station Absolute Radio. In October 2011, NME placed it at number 144 on its list "150 Best Tracks of the Past 15 Years". In 2012 BBC Radio 1 announced it was the 39th most downloaded song of all time (in the UK).
Read more about this topic: Human (The Killers Song)
Famous quotes containing the word reception:
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fallthe company they find already present there, on their admission into the house of thought.”
—Walter Pater (18391894)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, I hear you spoke here tonight. Oh, it was nothing, I replied modestly. Yes, the little old lady nodded, thats what I heard.”
—Gerald R. Ford (b. 1913)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)