Hugh Trevor-Roper - Works

Works

  • Archbishop Laud, 1573-1645, 1940.
  • The Last Days of Hitler, 1947 (revised editions followed, until the last in 1995)
  • Secret Conversations, 1941-1944 (published later as Hitler's Table Talk, 1941-1944), 1953.
  • Historical Essays, 1957.
  • "The General Crisis of the Seventeenth Century" pages 31–64 from Past and Present, Volume 16, 1959.
  • "Hitlers Kriegsziele" pages 121–133 from Vierteljahrshefte für Zeitsgeschichte, Volume 8, 1960, translated into English as "Hitler's War Aims" pages 235–250 from Aspects of The Third Reich edited by H.W. Koch, London: Macmillan Ltd, 1985.
  • "A. J. P. Taylor, Hitler and the War" pages 86–96 from Encounter, Volume 17, July 1961.
  • "E. H. Carr's Success Story" pages 69–77 from Encounter, Volume 84, Issue #104, 1962
  • Blitzkrieg to Defeat: Hitler's War Directives, 1939-1945, 1965, 1964.
  • Essays in British history presented to Sir Keith Feiling edited by H.R. Trevor-Roper; with a foreword by Lord David Cecil (1964)
  • The Rise of Christian Europe, 1965.
  • Hitler's Place in History, 1965.
  • The Crisis of the Seventeenth Century: Religion, the Reformation, and Social Change, and Other Essays, 1967.
  • The Age of Expansion, Europe and the World, 1559-1600, edited by Hugh Trevor-Roper, 1968.
  • The Philby Affair: Espionage, Treason, and Secret Services, 1968.
  • The Romantic Movement and the Study of History: the John Coffin memorial lecture delivered before the University of London on 17 February 1969, 1969.
  • The European Witch-Craze of the Sixteenth and Seventeenth Centuries, 1969
  • The Plunder of the Arts in the Seventeenth Century, 1970.
  • Queen Elizabeth's First Historian: William Camden and the Beginning of English "Civil History", 1971.
  • "Fernand Braudel, the Annales, and the Mediterranean," The Journal of Modern History Vol. 44, No. 4, December 1972
  • "Foreword" pages 9–16 from 1914: Delusion or Design The Testimony of Two German Diplomats edited by John Röhl, 1973.
  • A Hidden Life: The Enigma of Sir Edmund Backhouse (published in the U.S. as The Hermit of Peking: The Hidden Life of Sir Edmund Backhouse), 1976.
  • Princes and Artists: Patronage and Ideology at Four Habsburg Courts, 1517-1633, 1976.
  • History and Imagination: A Valedictory Lecture Delivered before the University of Oxford on 20 May 1980, 1980.
  • Renaissance Essays, 1985.
  • Catholics, Anglicans and Puritans: Seventeenth Century Essays, 1987.
  • From Counter-Reformation to Glorious Revolution, 1992.
  • Edward Gibbon - The Decline and Fall of the Roman Empire, vol. 1 introduction (London: Everyman's Library, 1993).
  • Letters from Oxford: Hugh Trevor-Roper to Bernard Berenson. Edited by Richard Davenport-Hines. L.: Weidenfeld & Nicolson, 2006, ISBN 0-297-85084-9.
  • Europe’s Physician: The Various Life of Sir Theodore De Mayerne, 2007, ISBN 0-300-11263-7.
  • The Invention of Scotland: Myth and History, 2008, ISBN 0-300-13686-2
  • History and the Enlightenment: Eighteenth Century Essays, 2010, ISBN 0-300-13934-9
  • The Wartime Journals: Hugh Trevor-Roper, Edited by Richard Davenport-Hines, 2011 ISBN 1-84885-990-2.

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Famous quotes containing the word works:

    “His character as one of the fathers of the English language would alone make his works important, even those which have little poetical merit. He was as simple as Wordsworth in preferring his homely but vigorous Saxon tongue, when it was neglected by the court, and had not yet attained to the dignity of a literature, and rendered a similar service to his country to that which Dante rendered to Italy.”
    —Henry David Thoreau (1817–1862)

    “We do not fear censorship for we have no wish to offend with improprieties or obscenities, but we do demand, as a right, the liberty to show the dark side of wrong, that we may illuminate the bright side of virtue—the same liberty that is conceded to the art of the written word, that art to which we owe the Bible and the works of Shakespeare.”
    —D.W. (David Wark)

    “We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
    —Clive Bell (1881–1962)