Film Career
The actor made a number of motion pictures, among them Rocketship X-M (1950), The Lawless Breed (1953), There's No Business Like Show Business (1954), White Feather (1955), Come Fly with Me (1963), Love Has Many Faces (1965), In Harm's Way (1965), Ten Little Indians (1965) and Ambush Bay (1966). While on stage, Elvis Presley introduced O'Brian from the audience at the singer's April 1, 1975 performance at the Las Vegas Hilton, as captured in the imported live CD release "April Fool's Dinner". O'Brian was a featured star in the 1977 two-hour premiere of the popular television series, Fantasy Island. He played the last character that John Wayne ever killed on the screen in Wayne's final movie The Shootist (1976). O'Brian was a good friend of Wayne and said he considers this a great honor. O'Brian also appeared in fight scenes with a Bruce Lee lookalike in Lee's last film Game of Death.
O'Brian recreated his Wyatt Earp role for three 1990s projects, Guns of Paradise (1990) and The Gambler Returns: The Luck of the Draw (1991) with fellow actor Gene Barry doing likewise as lawman Bat Masterson for each, as well as independent film Wyatt Earp: Return to Tombstone (1994). He also had a small role in the Danny DeVito/Arnold Schwarzenegger comedy film Twins (1988), as one of several men who had "donated" the DNA that later became the "twins". In the film, Schwarzenegger thought he'd found his "father", when he met Hugh O'Brian's character.
For his contribution to the television industry, Hugh O'Brian has a star on the Hollywood Walk of Fame at 6613½ Hollywood Blvd. In 1992, he was inducted into the Western Performers Hall of Fame at the National Cowboy & Western Heritage Museum in Oklahoma City, Oklahoma.
Read more about this topic: Hugh O'Brian
Famous quotes containing the words film and/or career:
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
“It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.”
—Thomas Henry Huxley (182595)