Film and Television
He has appeared regularly on television since the age of ten when he gave a recital of Bach and Chopin. He was soloist at the 100th anniversary of the Promenade Concerts, a concert that was televised worldwide. A documentary on Ravel made in 1998 by the Australian Broadcasting Corporation, featuring Shelley as conductor, pianist and presenter won the Gold Medal for the best arts biography of the year at the New York Festivals Awards.
Shelley has appeared on the soundtrack of several films including Un coeur en hiver (1992), Anna Karenina (1997) and Testimony (1988). In the latter film, directed by Tony Palmer, Ben Kingsley played the part of Dmitri Shostakovich, miming to Howard Shelley's piano.
Read more about this topic: Howard Shelley
Famous quotes containing the words film and television, film and, film and/or television:
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
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